Are biased. There's no "maybe" in that.I know reviewers may be biased
Are biased. There's no "maybe" in that.I know reviewers may be biased
Yes, even if they didn't make money from product placements, they wouldn't have an audience if every review was, "That one was good, too. Indistinguishable from the last 100 I listened to".Are biased. There's no "maybe" in that.
Whatever you make money or not. And even when you publish actual data. I am, myself, biased when I review a product. Could be the same objective results and different interpretations of these. Could be excellent measured performance, but a product that fails to please me on usability, features, design... Or the other way around. Etc. Everything has a context. Every review comes with a strong subjective opinion.Yes, even if they didn't make money from product placements, they wouldn't have an audience if every review was, "That one was good, too. Indistinguishable from the last 100 I listened to".
Made me think of this.Yes, even if they didn't make money from product placements, they wouldn't have an audience if every review was, "That one was good, too. Indistinguishable from the last 100 I listened to".
If the measurements show the devices will sound the same it is highly unlikely that they will not - under controlled conditions. At best there could be very minor differences which the typical audiophile would be unable to detect without training in any case. The bold differences reported to exist such as wider and deeper soundstages are unquestionably generated in the minds of the beholders.You could. You could also argue they sound different from one another. For one thing amateur blind testing should not be taken seriously. Human perceptual testing is its own area of expertise. It takes more than just common sense to do it well.
Its not just spectral components, Relative phases of test tones may also be audible. Example files of phase shifts that are audible: https://purifi-audio.com/blog/tech-notes-1/doppler-distortion-vs-imd-7#blog_content
"...The problem is, you can’t easily see from a spectral plot which of the two is actually the case. In fact, you can’t see it at all. That is because spectral plots don’t show phase information."
A process which is routinely done at accuracies several orders of magnitude better than human hearing acuity.I guess I was applying the term ‘extract’ to the whole process of turning digital to an analogue line signal.
Not at all. The link contains the following quote warning against relying on spectral analysis with phase information omitted:On other words, it tells you to not worry about phase distortion.
After that everyone is by necessity making assumptions. You'll never come to a conclusion this way. It is a big circle-jerk. Of what we know that was described, uncontrolled review evaluations are nearly always meaningless. Did levels even get matched? After that tell us more or there really is not anything worth saying.
Have you critiqued all those papers and decided they're equally credible?Some suggested reading material to start with:
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Also of possibly related interest: https://www.frontiersin.org/articles/10.3389/fnins.2016.00524/full
Yes.Did you actually listen to the two samples?
I heard it. Would agree its more subtle than the amplitude modulation.The amplitude modulation is clearly audible, while the frequency modulation is next to impossible to hear (to my ears at least).
I don't find them all equally credible. Not all of them were published at a time when perceptual science was at today's state of knowledge. That's one reason why its important to have a sufficiently broad overview of the field. Its so you can judge credibility on an educated basis.Have you critiqued all those papers and decided they're equally credible?
However, point of the demonstration is that the spectral plots are exactly the same for both files. Exactly. It means you can't tell from a spectral plot what something sounds like, Can't even tell if its distortion or not.
Oddly, I can hear the distortion about equally. It puzzled me for a long time why they put up that demo.I think you completely misunderstood the point that blog post is making?
It shows that phase distortion is much, much harder to hear than amplitude distortion. On other words, it tells you to not worry about phase distortion.
I keep going back there to see if I really hear it. Yep. Nasty.That's... interesting.
*Putting my words on a plate and getting a knife and a fork ready, just in case*
I hear a clear wobble in the AM sample. Nothing in the FM sample.
And, it's possible, maybe probable it's just a rare hearing difference. In any event, I'm glad I designed to avoid Doppler distortion lol!That's... interesting.
*Putting my words on a plate and getting a knife and a fork ready, just in case*
I hear a clear wobble in the AM sample. Nothing in the FM sample.
It was because the audible difference is not easily explained by masking theory, and because the files sound so different despite having identical power spectra.It puzzled me for a long time why they put up that demo.
Really?I also hear a clear difference between their various DACs.