I can't say I like these headphones much, but I plan to keep them indefinitely because they turned out to illustrate an audio concept for me that I hadn't really understood before: soundstage (or headstage if you prefer)... and not because they have a lot.
Two of the closed back headphones I own are the HD 569 and DCA Aeon RT (my daily drivers). I use EQ, and I got curious how close I could get them sounding with Oratory's EQ applied to each. Keeping in mind the rather large cost difference between them, the result was fascinating in a way I hadn't expected. In terms of tonality, I think I got them reasonably similar. (Disclaimer: There's plenty of room for human error on my part, unit variability, unreliability of high frequency measurements, etc., and this was far from a controlled test, so feel free to take this observation with a grain of salt.)
That said... when I went from the Aeon RT to the HD 569 with an orchestral track I was listening to, I thought the latter were defective, or had become so since I last used them. There was a clear channel imbalance, or so I thought. I started trying other tracks and noticed the imbalance shifted to the opposite side or disappeared depending on the track. I then went back to the original track I started with using the Aeon RT, and I realized that what I was hearing as a channel imbalance was actually just louder instruments in one side of the stereo mix. In the Aeon RT, that's what it sounds like, but in the HD 569, it just sounds like a louder transducer (at least to me).
So why the difference? I assume that differences in ear cup shape and seal could be factor, as could any remaining differences in frequency response after EQ was applied. Either way, I now have some understanding of what people mean by "soundstage" in headphones. And that's why I plan to keep them. Well, that and the fact that I have a set of headphones I'm always willing to let family members borrow.
