This is my first time in this section, so hello to you all. This forum is a very interesting place. I own an Apogee Groove which I've had at a steal price and after reading in search for a decent pair of headphones I ordered Sennheiser HD 58X from (mass)Drop a couple of days ago. Not yet shipped and I'm still not sure which one between 58X and 6XX would suit better my needs, could it still be possible to pay the difference and get the 6XX. I haven't so far listened to neither of the two, so it's everything "in theory"....I just want a of headphone which reproduces instruments how they are. I know that both recording and playing back are an "artificial" thing but I'll try to explain my perspective, maybe a little different from a true audiophile, so I hope I will not bother you too much. I beg your pardon in advance...
I am a professional musician and what I like to hear is a reliable relation between sounds without extra emphasis (it's dynamic; clarity; neutrality? don't know), exactly what I'm going for when playing the piano, be at home or on stage. Also important is the timbre, the closer to reality as possible.
Today I was working at a Schumann's piece and, as I often do, I was recording and hearing back little fragments for practice purpose. Hearing with my old AKG K141 Studio was not bad; round sound, absolutely not dry with very sweet and rolled off treble but.... everything absolutely false! I've tried with two different sets of condenser microphones placed 30 cm close to the soundboard and nothing of the upper harmonic was there in the recording, nothing of the raw articulation of the close-miking sound was there. Then I listened with my 20 Euros Apple EarPods; not pleasant, but I heard what I played. Then with a super-crap pair of earphones which came with an ultra cheap smartphone; horrible sound, but still the proportions were there.
Listening to classical music cd's ( piano, chamber music, symphonic) I agree that my AKG put a more pleasant sound in my ears than iPhone pods, but I also ask headphones to tell the truth. Don't need to mix in order to highlight every little detail of a raw recording, just want something which sounds like the recording is.
I came up to ordering Sennheiser 58X having read that they are "natural" and mostly flat and they don't have any particularly recessed part of the frequency range. I live in Europe, so also chose 58X because they can be bought only in US ( unlike HD650) so in case I don't like them it will not be that easy to sell them here with a minimum loss of money. Do you consider it a good choice or should I have opted for 6XX, given what my needs are? I think both of them could be easily driven from my Apogee Groove, which has no problem with headphones from 150 ohm to 600.
Thank you very much for reading me, and I thank you for not falling asleep and giving me an advice!
I am a professional musician and what I like to hear is a reliable relation between sounds without extra emphasis (it's dynamic; clarity; neutrality? don't know), exactly what I'm going for when playing the piano, be at home or on stage. Also important is the timbre, the closer to reality as possible.
Today I was working at a Schumann's piece and, as I often do, I was recording and hearing back little fragments for practice purpose. Hearing with my old AKG K141 Studio was not bad; round sound, absolutely not dry with very sweet and rolled off treble but.... everything absolutely false! I've tried with two different sets of condenser microphones placed 30 cm close to the soundboard and nothing of the upper harmonic was there in the recording, nothing of the raw articulation of the close-miking sound was there. Then I listened with my 20 Euros Apple EarPods; not pleasant, but I heard what I played. Then with a super-crap pair of earphones which came with an ultra cheap smartphone; horrible sound, but still the proportions were there.
Listening to classical music cd's ( piano, chamber music, symphonic) I agree that my AKG put a more pleasant sound in my ears than iPhone pods, but I also ask headphones to tell the truth. Don't need to mix in order to highlight every little detail of a raw recording, just want something which sounds like the recording is.
I came up to ordering Sennheiser 58X having read that they are "natural" and mostly flat and they don't have any particularly recessed part of the frequency range. I live in Europe, so also chose 58X because they can be bought only in US ( unlike HD650) so in case I don't like them it will not be that easy to sell them here with a minimum loss of money. Do you consider it a good choice or should I have opted for 6XX, given what my needs are? I think both of them could be easily driven from my Apogee Groove, which has no problem with headphones from 150 ohm to 600.
Thank you very much for reading me, and I thank you for not falling asleep and giving me an advice!