Veri
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Really good info by @solderdude in this thread. <3
It is discrete so you can count clicks. Of course that's more viable with a 32 or 64 step control, than it is with Kara's 128 step control.... My request for the future is to display the volume step value.
It may not be necessary if you are just enjoying music, but it is very convenient for verification work to be able to accurately reproduce the gain without a measuring device.
My system (noted earlier in this thread) experiences increased attenuation in passive mode vs buffer mode; Δ is ~ 3-4 clicks on the attenuation knob. Haven't measured yet but is audibly noticeable across the attenuation knob's rotation spectrum.All passive pre's (especially the ones such as LDR and transformer based) should best not be used with long cables or into 'complex' inputs.In all other circumstances it can be used. Even in low resistance (resistive) loads. In the latter case attenuation will just be a little higher than when a buffer would be used.
When you measure it I am curious whether the difference is the same at all volume settings, or it varies.My system (noted earlier in this thread) experiences increased attenuation in passive mode vs buffer mode; Δ is ~ 3-4 clicks on the attenuation knob. Haven't measured yet but is audibly noticeable across the attenuation knob's rotation spectrum.
My system (noted earlier in this thread) experiences increased attenuation in passive mode vs buffer mode; Δ is ~ 3-4 clicks on the attenuation knob. Haven't measured yet but is audibly noticeable across the attenuation knob's rotation spectrum.
That sounds like one more advantage to the basic ladder having a separate pair of resistors for each volume setting. A 128 step control would have 256 resistors but each volume setting would use exactly 2. No resistors are shared or combined. With this configuration the output impedance changes over a smaller range (peak value is 1/4 the input impedance) and it varies incrementally & consistently across the volume range. So the volume differences into low impedance loads are perceptually smooth & gradual.... As MRC01 already mentioned this difference between active and passive mode will differ when the volume control is at a different level setting.
Fortunately this will only be a drop in level and not affect bass roll-off and no treble roll-off when no long cables are used.
It is simply voltage division and very predictable once the load impedance is known.
Is it illegal to put phono stages in preamps? Schiit makes a pretty decent one.
Nice unit, I like the separate outputs for subs and stuff. Price is very reasonable.
For clarity, the offer's not on the Skoll phono preamp, it's on the Midgard headphone amp. My understanding to get it for free, you have to test and publish the amp's 'Halo' feature (mixed mode feedback) via the 4-pin output by measuring the headphone's performance compared to the headphone's performance via the TSR output (which doesn't have 'Halo' mixed mode feedback because it needs a ground return to 'work').Today they announced a new product--Skoll--a balanced phono amp for $399. Jason said he'll send one free to people with test gear. I'm looking forward to Amir getting one and telling us his results.
Completely wrong, read the thread.The passive mode, of course, is impressive, but, as we have already found out, it is absolutely useless (and, apparently, created exclusively for beautiful measurements)
I read it, of course. So why is this mode needed if it has up to 5 kOhm at the output? What should I connect it to? To integrated amplifiers with 50 kOhm at the input? And why does an integrated amplifier need a preamp?Completely wrong, read the thread.
No, you can even use it with an amp presenting a 10k load. That load, however, should be resistive which it very likely is.
The ONLY thing that happens (when the output R is 5k, in passive mode) is that the attenuation is lower (not -40dB but -43.5dB for amp with 10k input) which really does not matter at all because volume is set by ear and not by dB numbers.
All passive pre's (especially the ones such as LDR and transformer based) should best not be used with long cables or into 'complex' inputs. In all other circumstances it can be used. Even in low resistance (resistive) loads. In the latter case attenuation will just be a little higher than when a buffer would be used.
Of course, I do not have measurements confirming that the joint use of 5 kOhm at the output and 10 kOhm at the input leads to certain problems, but personally I could not normally coexist with such a configuration - for the reason that the difference in resistances is clearly done for a reason (besides, in this the forum describes a list of possible problems because of this), and I have not met any measurements confirming the opposite either (the point is that the quoted quote is just someone's words), so I would feel worried about this. There is a general rule of 1:10 (and more) - and I do not understand why it is necessary to violate it for the sake of the Schiit brand, especially since with a $200 cheaper device, such compromises will not have to be made.The quote earlier from SD sums it up pretty well:
Passive preamps are not applicable for all use cases as detailed above and elsewhere in this thread with measurements provided (post #207). What equipment anyone chooses to purchase is up to them for a variety of reasons and you make some good notes on the missing features of Kara for some users.
But broadly stating that a passive preamp/mode is "useless and created exclusively for beautiful measurements" is incorrect.
Lastly, you are correct, integrated amps don't require a preamp.
Agreed, Alas Amir did not make or post one.I would really like to see a multi-tone test.