Benchmark DAC3, some variants at least, has analog inputs.
Not enough. I need three; TT, DAC and HT pass through.
Russ
Benchmark DAC3, some variants at least, has analog inputs.
From a purist's perspective, if you have an analog source like a turntable or tape deck, it makes little sense to convert the analog signal to digital, only to have it converted back to analog.Benchmark DAC3, some variants at least, has analog inputs.
From a purist's perspective, if you have an analog source like a turntable or tape deck, it makes little sense to convert the analog signal to digital, only to have it converted back to analog.
On the other hand, if you want to experiment with DSP, a DAC with an integrated ADC (and DSP capabilities) would be great.
I happen to fall into the "purist" camp; I want my analog signal (from my turntable) to be as unadulterated as possible, so for me, the Schiit Freya S is an ideal solution, though I'm with you; I would much prefer it in black.
Not enough. I need three; TT, DAC and HT pass through.
Russ
Thank ASR, don't forget.It's great of company to send you another gear, thumbs up for Schiit.
DAC3 has 2 RCA inputs and it's a DAC, the math seem to work out?
I am not sure why everyone makes HT bypass so complicated. Simple switcher such as Schiit SYS and you are done, no need to change current music hardware at all.Not enough. I need three; TT, DAC and HT pass through.
You sure about that?There is no AD conversion in the Dac3 on analog inputs.
Correction/qualification: Of course the volume control on the Benchmark Dac3 could be all analog if the attenuation for the digital signal is applied after conversion to analogThe volume control would have to work in both the digital domain and analog domain
You sure about that?
From the Benchmark website, there is no mention of a pass-through for the analog inputs on the Dac3. The volume control would have to work in both the digital domain and analog domain; I don't see any explanation of this on the Benchmark website.
If you're right, then the Dac3 is functionally equivalent to the Freya S (plus external DAC), though at a price of 2 grand, the Dac3 is significantly more expensive than the Freya S, assuming your choice of external DAC to be used with the Freya S is less than a grand.
HYBRID GAIN CONTROL
"HGC" is Benchmark's unique Hybrid Gain Control system. The DAC3 combines active analog gain control, passive low-impedance attenuators, a 32-bit digital gain control, and a servo-driven volume control. All inputs are controlled by the rotary volume control. This volume control moves in response to commands from the remote control. Analog inputs are never converted to digital, and digital inputs never pass through an analog potentiometer. Digital inputs are precisely controlled in the 32-bit DSP system. The DSP system preserves precise L/R balance, and precise stereo imaging, while avoiding any source of noise and distortion.
I can, and it's the max output level frequently these days. Lots of DACs these days offer multiple max output levels as well, especially pro focused ones.
Thanks to TimW and gvl for the clarification on Benchmark's HGC.As for the price, well, I think paying a bit extra for a DAC3 is money well spent. Takes less space too. Comparable performance with the Freya will cost more than a grand with the DAC warranty service that has to likely be handled somewhere in Asia if anything goes wrong.
That's brilliant!Magic.
Marker.
Do you understand what full scale digital means? That link had nothing to do with what you say it does.The DAC's may well aspire to that level, but a typical commercial release CD does not have digital information encoded on it, to ever attain such levels.
It is detailed here https://www.100vinyl.com/audio-requirements-cds.html and worded with reference to the Red Book standard - as Recording Level " The numerical level of the input piece will be transferred on the CD as is (the bits on the CD recording will match the model) unless requested by the customer."
Understood now ? that the players potential output level IS entirely different ,and we could say,meaningless when compared to the level encoded on commercial release CD's We do however need to base equipment tests in future, on the levels commercial release CD's can actually attain, which I predict will surprise forum members, just how low these levels actually are.
That just looks like one of the screws holding the top panel down came lose in transit, rather than a manufacturing defect. A few turns of a screwdriver will fix this!
I would be happy to answer.Will you please ask them nicely?