I remember when Salks started... I always thought they gave too much importance to the cabinet finish and exotic woods. An acquired taste for sure (one I didn’t acquire). Looks like they know how to build cabinets and to mount decent drivers on them, but obviously not how to actually design a speaker.
If you actually look at the measurements, the only issue was with the box tuning via the slotted port, a problem shared with other attempts to extract maximum bass reach out of a very small woofer in a small volume (see Amir's review of the Ascend Luna). And even then the problem arose only at the very high output levels Amir tends to inflict on speakers that were never designed to be used that way. or purchased for that purpose.Jim Salk builds the cabinets, but farms out crossover design to others, most notably Dennis Murphy.
If you actually look at the measurements, the only issue was with the box tuning via the slotted port, a problem shared with other attempts to extract maximum bass reach out of a very small woofer in a small volume (see Amir's review of the Ascend Luna). And even then the problem arose only at the very high output levels Amir tends to inflict on speakers that were never designed to be used that way. or purchased for that purpose.
The directivity mismatch of tweeter without WG is imho its biggest issue (DI drops around 5 dB again from 2 to 4,5 kHz) and can be seen also in the PIR as also correctly commented by Amir.If you actually look at the measurements, the only issue was with the box tuning via the slotted port, a problem shared with other attempts to extract maximum bass reach out of a very small woofer in a small volume (see Amir's review of the Ascend Luna). And even then the problem arose only at the very high output levels Amir tends to inflict on speakers that were never designed to be used that way. or purchased for that purpose.
The directivity mismatch of tweeter without WG is imho its biggest issue (DI drops around 5 dB again from 2 to 4,5 kHz) and can be seen also in the PIR as also correctly commented by Amir.
You're right. I was mainly looking at on axis and LW, which pretty good(similar to JBL 700 series). That directivity error is pretty large, though, and can't be fixed with EQ. The Directivity Index in the CEA2034 really shows the problem well, imo. 2 ways with no waveguide are hard to do right. I would bet Salk's 3 ways look much better.
In the Salk line between the BMR and SS7M, for midrange monitoring where accuracy and neutrality are paramount, which would you recommend?That's another old, odd duck in the Salk line that is rarely ordered. I certainly didn't have it in mind when I designed the BMR, and its horizontal dispersion won't be nearly as wide as the BMR's. The BEATs tower is a much more current design that's more representative of what Jim is actually selling these days.
I think the BMR is as accurate and neutral in the midrange as any of the Salk designs below $5,000. The dispersion pattern is different, though. It's much broader on the BMR. What type of music would you be listening to primarily?In the Salk line between the BMR and SS7M, for midrange monitoring where accuracy and neutrality are paramount, which would you recommend?
I'm totally back in the speaker biz. Lots of Covid-generated sales, particularly of the BMR towers. SB Acoustics has greatly improved their driver lineup and they're excellent values. The ceramic tweeter is very smooth and clean, although quite frankly most 1" domes sound way more alike than different.Dennis: How you feeling these days? Is Philharmonic back in operation? How do you like the SBA ceramic dome vs a silk dome?
It’s to master vocals and dialogue for work but also listening to acoustic guitar and small jazz ensemble during my breaks so deep bass is not necessary - it will be in a smallish 10’ x 10’ space with an open door. For work I need to accurately hear all the minute tongue clicks, sibilance and other annoying vocal artifacts that people want speakers to hide. I’m flexible on dispersion as I can angle it on axis as necessaryI think the BMR is as accurate and neutral in the midrange as any of the Salk designs below $5,000. The dispersion pattern is different, though. It's much broader on the BMR. What type of music would you be listening to primarily?
I have two of the SBA 5-inch ceramic mid-bass units (8 ohm) and am deciding which tweeter to match the with.I'm totally back in the speaker biz. Lots of Covid-generated sales, particularly of the BMR towers. SB Acoustics has greatly improved their driver lineup and they're excellent values. The ceramic tweeter is very smooth and clean, although quite frankly most 1" domes sound way more alike than different.
The ceramic tweeter will certainly work. No need for anything with high sensitivity. You'll probably end up with around 82 dB after baffle step compensation using the 8 Ohm version of the 5" ceramic.I have two of the SBA 5-inch ceramic mid-bass units (8 ohm) and am deciding which tweeter to match the with.
I am presuming you used the SBA 4-ohm in your mini?The ceramic tweeter will certainly work. No need for anything with high sensitivity. You'll probably end up with around 82 dB after baffle step compensation using the 8 Ohm version of the 5" ceramic.