I didn't measure, I only used my ears(unpluged one side of headphone). I can say that Little Dot Mark 2 has no audible crosstalk and it's not balanced, Creative AE-5 headphone output has no audible crosstalk also. But Asgard 2 has it more then Sabaj A20h, The champ in crosstalk is IFi ZEN CAN, this amp has a lot, in both balanced or unbalanced.
I found some measurements of the Creative AE-5: you can see a -58dB of crosstalk at 16 ohms (from the attached graph). I think it is very audible.
You can find the review of the Little Dot MK III on ASR:
This is a review and detailed measurements of the Little Dot MK III Tube Headphone amplifier. It is on kind loan from a member. It costs US $289 including Prime shipping. The unit has been sitting for a while (my apologies to its owner) so please excuse a bit of dust in the pictures below. I...
www.audiosciencereview.com
there isn't the crosstalk graph (unfortunately), but from the other measurements I can see, I wouldn't be surprised to see high crosstalk values (may be covered by the noise).
To understand if there is an audible crosstalk you have to make some steps:
- Use IEMs: they help to isolate any external noise.
- Check if your amp can work w/o the load on one channel only, otherwise you need to realize a dummy load with a power resistor of the same value of the impedance at 1 kHz of your IEMs; some HPA switch from "Phones" to "Preamp" mode if you disconnect the output load.
- You must set the HPA volume level with a track with a significative dynamic (for example. the 6^ Symphony of Beethoven, 6th mov., half time) at a realistic audio level (thinking to be in front of the stage of a theater).
- You must install a signal generator in your audio source (phone, tablet, PC): for example (PC only) RTA DSS3 (free for the signal gen.).
- You have to generate at 0dBFS a sweep of frequencies form 600 to 5kHz in the "A" channel.
- Disconnect the IEM of the "A" channel (leaving from the ear the IEM it isn't enough: you can hear some sound from it if it is connected) and connect the dummy load (if necessary to avoid abnormal behaviors of the HPA: switching to "preamp" mode, switching off, etc.).
- Concentrate on the channel "B" IEM: you mustn't hear absolutely nothing.
If you don't hear absolutely nothing, the crosstalk of your amp is inaudible (at least for you).
To check your sensitivity to crosstalk:
- Use a DAC or HPA that has a dB level display and/or a digital level volume control graduated in dB (1dB step, or better 0,5dB step).
- Play at a reasonable high level (a realistic level of a orchestral "fortissimo") a 0dBFS 3kHz sinewave (or better a continuous sweep 600Hz<->5kHz) and go down the volume control until you can hear absolutely nothing.
- The difference from the original listening volume and the volume that you don't hear anything is you (subjective) crosstalk threshold sensitivity.
The full balanced design you permit to realize very low crosstalk amps: it seems to be a "necessary" condition, but not "sufficient".
Topping L30ii is one of the best unbalanced HPA ever measured by ASR (if not the best) and has an audible crosstalk...