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Rubber Soul- Special Edition

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For release on October 2: "...The Beatles' sixth album, Rubber Soul, released on December 3rd, 1965, newly mixed by producer Giles Martin and Sam Okell. Sourced directly from the original four-track master tapes, the audio is presented with remarkable clarity..."
I've been a big Beatles fan since I was a kid. I never much got into all the rarities/multiple takes phenomena, but I am looking forward to hearing the updated mix from Giles Martin.



I did pre-order a vinyl copy of the album- just the new single disc LP without all the peripheral stuff- and look forward to hearing it. Anyone else intrigued? Or have these things just gotten a bit carried away?
 
For release on October 2: "...The Beatles' sixth album, Rubber Soul, released on December 3rd, 1965, newly mixed by producer Giles Martin and Sam Okell. Sourced directly from the original four-track master tapes, the audio is presented with remarkable clarity..."
I've been a big Beatles fan since I was a kid. I never much got into all the rarities/multiple takes phenomena, but I am looking forward to hearing the updated mix from Giles Martin.



I did pre-order a vinyl copy of the album- just the new single disc LP without all the peripheral stuff- and look forward to hearing it. Anyone else intrigued? Or have these things just gotten a bit carried away?

The original Parlaphone Uk mono Lp is great as well, I have it.
 
My opinion (FWIW, no more, no less!): Rubber Soul is a very good record, although not a great one. It's obviously very much a transitional album, with some cringeworthy ;) moments (as we might say nowadays, e.g., about a song like Run for Your Life) but some great stuff, with a largely light(er) instrumental touch that is more or less unique in the Fab Four's œuvre.

A couple of years ago, I had the pleasure of hearing an early generation copy of Rubber Soul (probably a safety copy of the master or a copy sent to a remote pressing plant) played through a carefully rehabbed and well-maintained ATR deck via bespoke EQ/preamp electronics and reproduced through a quite remarkable amplification chain and loudspeakers, in a very large, purpose-built space. It was revelatory.
 
All my friends mock me for liking the Giles Martin remixes, but I think they are all good. Same with Steven Wilson. The fun part is nobody notices when you play the remixes and you don't mention it.
 
Again FWIW ;) -- I was (am) kind of put off by the Giles Martin ex post facto remixes, e.g., the Abbey Road does things to the stereo mix that are, to my well-indoctrinated ;) ears, just wrong. :confused:
 
My opinion (FWIW, no more, no less!): Rubber Soul is a very good record, although not a great one. It's obviously very much a transitional album, with some cringeworthy ;) moments (as we might say nowadays, e.g., about a song like Run for Your Life) but some great stuff, with a largely light(er) instrumental touch that is more or less unique in the Fab Four's œuvre.

A couple of years ago, I had the pleasure of hearing an early generation copy of Rubber Soul (probably a safety copy of the master or a copy sent to a remote pressing plant) played through a carefully rehabbed and well-maintained ATR deck via bespoke EQ/preamp electronics and reproduced through a quite remarkable amplification chain and loudspeakers, in a very large, purpose-built space. It was revelatory.
What a cool opportunity- thanks for sharing that! It sounds like a great listening event.

I do find that Rubber Soul- like virtually all Beatles albums, in my opinion- has the good and some not as good tracks- but always an interesting snippet of where they were at the time. I can enjoy the mono early recordings- or even the limited stereo stuff as they moved forward- as I grew up with them and enjoy them all- but I am looking forward to seeing how the younger Martin will treat this album. If someone wants to add a little spice to my favorite foods- I don't complain ;-)
 
The best songs in Rubber Soul have already been remixed by Giles Martin though... find them in the "Red Album" compilation, 2023 version. You can get a taste of what the rest should sound like. I personally love them, as a different experience to the mono and previous stereo mixes.
 
The earlier albums, just doesn't seem like there's as much for Martin to tinker with; I resisted buying the new Revolver a few years back, but I like the 4 earlier later catalogue remixes and play them. (Pepper was probably the most changed, then the white album.) I'll listen to this one on Spotify, I imagine. I'm sure the whole catalogue will get done eventually, as you can always shake that Beatles tree and make some more bucks!
 
Note that the original tapes are captured digitally and then mixed, so an additional tape-based stereo mastering stage is eliminated (as would have been used for vinyl).
 
Ahhh, 'twas enough splendid lights low friends' basements slow dancing make-out music here in the US of A for my crowd.
 
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