Please read my post.Using the dB/color legend on the screen grab, one can also see the dispersion pretty accurately (-6db is the line separating light and dark orange).
Please read my post.Using the dB/color legend on the screen grab, one can also see the dispersion pretty accurately (-6db is the line separating light and dark orange).
Well it's not an either-or situation, as you very well know, humans are imperfect microphones. It's quite possible for something to sound good without being ideal. Regardless of whether or not the design could have been better, and it clearly could have been (as the other MTM the 340SE2 showed), it should give you pause when something doesn't hit all of the KPIs but still comes out decent. Perhaps we need to re-weight the metrics to better reflect anthropomorphic ideal bias.This doesn’t make sense whatsoever?!!
The speaker obviously has an incorrect baffle-step compensation.
And what do you mean, “Objectively minded folks can either dismiss the listening tests…”? How about we chuck it into a properly controlled listening test, and see how listeners prefer it or not vs speakers with better spinoramas. Bet you anything it would be less preferred…and with EQ, it would still be less preferred than speakers whose spinoramas are better than this one with its EQ.
Appears the same as when I first responded to it…Please read my post.
We wear different glasses then.Appears the same as when I first responded to it…
Both the color legend and the graph coordinates have the speaker at +/- ~15 degrees, not +/- 5 degrees dispersion.
The green arrow somehow managed to read the color legend and find the correct -6dB dispersion angleWe wear different glasses then.
You are wrong about this. In this review I heard resonances that were clear as day. Such was not at all easy to detect in the measurements. But audibly, with the right test content (curated after testing 200+ speakers), the audible effect was very easy to detect.It's the same old story, same old song and dance. Listening tests have value when they are done comparatively with an attempt to control biases. That's the way we connect measurements to perception. Without controlling for biases, listening tests add nothing to our existing understanding.
I checked directivity from my seating position and it covered my loveseat. I noted that the narrowing is not as bad as some others.
Below are some useful guidelines to consider when choosing a center channel speaker:
MTM and W(T/M)W are the two basic center channels designs that are most popular. There are many variants of each all with their associated strengths and weaknesses. The best advice one could give when choosing a center channel speaker or any of the speakers in your theater room is to NOT just blindly rule out a particular type of design because someone says it theoretically cannot work. Test them with your ears in your listening environment across your listening area to decide if they are right for you.
- Choose a center channel that has similar output capabilities and sensitivity as your main channels.
- It’s usually a good idea to choose a speaker from the manufacturers same product line of your main channels to ensure similar drivers and tonal characteristics “voicing”.
- Consider a horizontally mounted MTM design if you have a height restriction and your primary seats are in a +/- 30 degree listening window or less.
- Consider 3 matching vertical MTM designs for the front 3 speakers if you can place the center channel behind a perforated screen.
- Consider W(T/M)W design if your listening window exceeds the +/- 30 degree and you are height constrained to not use identically matched speakers to your mains.
- Bottom line, chose what sounds best for your application that tonally matches your main speakers as closely as possible.
- Don’t forget to calibrate all of the channels using the internal pink noise generator (aka. Test tones) of your A/V receiver / processor.
"Consider a horizontally mounted MTM design if you have a height restriction and your primary seats are in a +/- 30 degree listening window..."
Real world info, and this is the problem exactly (why am I an Audioholics patreon again lol).
Please show me an MTM that does +/- 30 degrees dispersion within +/- 6dB. I really need one for my new small HT build.
The speaker in this ASR test would be down -12db at 30 degrees (and right in an area necessary for speech intelligibility) .
So the person in the center things might be cool, people next to the middle would already be at -6db and may struggle a bit to hear clear dialogue, and people at 30 degrees out could go "huh, what did they say, could you rewind that and turn it up so I can hear it while you in the center seat now gets blasted please?".
I have personally struggled with these issues with both my MTM 2-way's as well as a DIY 2.5-way; IMO they work for one to three (skinny and snuggly) person theaters, after that not so much which is why I am looking for tested +/- 25 deg or a 3-way this time around.
Watch this for good real world info imo:
Well try swapping seats and see what she says.
Well “swap seats” the other way: by literally swapping where the seats are located!I asked this at the time. She said she isn't prepared to give up the sofa she's stretched out on and, from her perspective, why should she have to move to accommodate a speaker?
Agree...I dont see what is good in the dispersion of this particular center at all.Real world info, and this is the problem exactly (why am I an Audioholics patreon again lol).
Please show me an MTM that does +/- 30 degrees dispersion within +/- 6dB. I really need one for my new small HT build.
The speaker in this ASR test would be down -12db at 30 degrees (and right in an area necessary for speech intelligibility) .
So the person in the center things might be cool, people next to the middle would already be at -6db and may struggle a bit to hear clear dialogue, and people at 30 degrees out could go "huh, what did they say, could you rewind that and turn it up so I can hear it while you in the center seat now gets blasted please?".
I have personally struggled with these issues with both my MTM 2-way's as well as a DIY 2.5-way; IMO they work for one to three (skinny and snuggly) person theaters, after that not so much which is why I am looking for tested +/- 25 deg or a 3-way this time around.
Watch this for good real world info imo:
It isn't good dispersion horizontally. But it could be a good sounding speaker within its dispersion (frequency response, lack of compression etc) Too far outide that, I would expect sound to suffer of course. So this will be totally dependent on use case... distance from speaker and width of seating you care about. What I actually find very interseting is some of these MTM center speakers are quite good speakers when flipped vertically. Many of these are very good and better speakers than their bookshelf counterparts becasue of their dual woofers. There have been several of these. This one is a little different in that out of the box the frequency response isn't good. But should it really surprise anyone that it sounds good with EQ?Agree...I dont see what is good in the dispersion of this particular center at all.
How do these compare to the CG5? Would you recommend those for a stereo setup?