Late to this party.
Really, just whatever streamer has the features that fit your use case and has USB or S/PDIF outputs (Toslink is fine if you never exceed 192kHz sample rate).
For me personally, I'm a longtime LMS/Lyrion user (new Lyrion Android app is great, made me ditch Squeeze Control after years) with a large local collection on my NAS, Qobuz, Spotify and Tunein in multiroom setup. I like it's open source and it has a lively development community that is maintaining plugins. As a renderer, I'm still happy with the Squeezbox Touch for as long as it keeps working (as it currently seems: forever).
RPi works great if you know your way around and like the tinkering/control. In another setup I've used Squeezelite and that will be my path when the SB Touch dies. Upmpdcli is great UPnP renderer with MPD (works well with e.g. a BubbleUPnP and Minimserver setup). Spotifyd turns it in Spotify connect endpoint. Moode is great, easily deployable combining those functions, but contains features I don't need (happy to configure things through SSH). That for me is the best part of the RPi: should you decide to switch solutions (e.g. MPD), you can repurpose the hardware. Newer Linux kernels shouldn´t limit you in using all channels in CC mode. If you don't know what all this means, consider skipping to the next option.
Wiim (as rightfully recommended above) is equally great if you want something turn key (for you or with someone you're sharing your home with). Everyone I know using it (partner, parents, neighbours) is really happy with it. Also plays nice with anything Apple in your pocket. Development seems still rapid enough, which would be my main consideration when choosing a proprietary streamer to ensure it stays current with integrations and security issues are patched in a timely fashion.
Should you have an existing streaming infrastructure setup e.g. BluSound, Sonos (yes..yes...) etc: use that.
Otherwise setting WiiM to max/fixed volume (-1dBFS if you're concerned with intersample peaks) and RME to a level that matches your preamp's max input level (use a true RMS multimeter and pink noise to calibrate if it differs from the Ref levels configurable in the output settings of the ADI) then using your preamp to regulate volume, should give the optimum gain staging (lowest gain in the analogue domain, assuming it's an active preamp).
If you have the output Ref level of your ADI-2 fixed, I think it shouldn't be any difference between using the RME or the WiiM for volume control (both operating in the digital domain). But if you use AutoRef level (as I do with a lower gain / higher input power amp), regulating volume on the ADI2 should have the edge.
I have acquired the RME ADI 2 FS. Pl suggest what would be the ideal streamer to go with it. ?
Really, just whatever streamer has the features that fit your use case and has USB or S/PDIF outputs (Toslink is fine if you never exceed 192kHz sample rate).
For me personally, I'm a longtime LMS/Lyrion user (new Lyrion Android app is great, made me ditch Squeeze Control after years) with a large local collection on my NAS, Qobuz, Spotify and Tunein in multiroom setup. I like it's open source and it has a lively development community that is maintaining plugins. As a renderer, I'm still happy with the Squeezbox Touch for as long as it keeps working (as it currently seems: forever).
RPi works great if you know your way around and like the tinkering/control. In another setup I've used Squeezelite and that will be my path when the SB Touch dies. Upmpdcli is great UPnP renderer with MPD (works well with e.g. a BubbleUPnP and Minimserver setup). Spotifyd turns it in Spotify connect endpoint. Moode is great, easily deployable combining those functions, but contains features I don't need (happy to configure things through SSH). That for me is the best part of the RPi: should you decide to switch solutions (e.g. MPD), you can repurpose the hardware. Newer Linux kernels shouldn´t limit you in using all channels in CC mode. If you don't know what all this means, consider skipping to the next option.
Wiim (as rightfully recommended above) is equally great if you want something turn key (for you or with someone you're sharing your home with). Everyone I know using it (partner, parents, neighbours) is really happy with it. Also plays nice with anything Apple in your pocket. Development seems still rapid enough, which would be my main consideration when choosing a proprietary streamer to ensure it stays current with integrations and security issues are patched in a timely fashion.
Should you have an existing streaming infrastructure setup e.g. BluSound, Sonos (yes..yes...) etc: use that.
Because they provide the inputs to bring your own? Thankfully they didn't waste their efforts to integrate something that is as quickly obsolete as a streamer in a >1k€ (2k€) quality DAC(/ADC) that I expect to be able to last a decade or more. Some may perhaps consider this unnessecary complicated, but I like the separation of concerns with all the "smart" functions isolated in cheap components that I can swap out easily as tech progresses or enshitification requires one to move along (the same applies to software in e.g. TV's...). For an integrated solution, I'd say WiiM has you covered with the Pro Plus or Amp.Why don't RME just add a built in streamer
I EQ on my ADI-2/4 so room correction is applied to my record player as well. There may be some difference in EQ-filter quality with certain software. But CamillaDSP should be great and configuring in software may be more convenient than dialing it in using the physical interface, should you not be able to use the RME remote app (I have no trouble, or actually: I admittedly find manipulating the knobs on the ADI quite a satisfying experience).What about PEQ? Camila DSP? (update: yes, checking the docs now).
Do you need the preamp to switch other (analogue, HDMI, ...) inputs that you couldn't switch on the ADI? If not I'd eliminate it from the signal chain altogether and use the ADI as a pre and for volume control.I will try this method. There are now so many volume buttons. One on RME. Two wiim. Three preamp. Not including phone. Will try to see which combo gets the punch.
Otherwise setting WiiM to max/fixed volume (-1dBFS if you're concerned with intersample peaks) and RME to a level that matches your preamp's max input level (use a true RMS multimeter and pink noise to calibrate if it differs from the Ref levels configurable in the output settings of the ADI) then using your preamp to regulate volume, should give the optimum gain staging (lowest gain in the analogue domain, assuming it's an active preamp).
If you have the output Ref level of your ADI-2 fixed, I think it shouldn't be any difference between using the RME or the WiiM for volume control (both operating in the digital domain). But if you use AutoRef level (as I do with a lower gain / higher input power amp), regulating volume on the ADI2 should have the edge.
