This is a review and detailed measurements of Wireworld Starlight 7 flat USB cable. It is on kind loan from a member. The cost is USD $100 including Prime shipping for the 1 meter/40 inch length I am testing. For this review, I compared it to my current favorite, the 6 foot/1.5m version of Amazon Basics USB cable which costs USD $5 with Prime shipping included. Yes, quite a price difference!
The Wireworld Starlight 7 comes in bright red color with nice indicating its UL rating and such:
It has the usual buzzwords of OFC, Silverclad, "Symmetricon design," etc. And of course some fantastical claims such as this one:
Faster transmission speeds? I don't think so. In this short length any non-broken USB cable will provide the maximum link speed. Or else I would like to see some measurements of this from Wireworld.
The flat profiel cable is nice if you are going up or down from the jack. In my case, I had to go 90 degrees to the left, resulting in an uncomfortable twist in the cable. Would not want to use it that way long term. Seems to me a round cable works better mechanically.
From performance point of view, the flat configuration allows the power lines to be separate from data lines:
The cable has 16 reviews on Amazon with average of 5 stars!
This is second from bottom of the Wireworld cables:
Prices go way up as you go up the range. In that regard and as high-end cables go, $100 is very much a "bargain."
Let's see if we can tease out any differences between our ultra budget cable and the Wireworld.
Measurements
I tested these cables with three DACs starting with Topping D50. The test is a simple 1 kHz tone but FFT points maxed out to 1.2 million (I usually use 256K) and averaging set to 16 times allowing us to substantially reduce DAC's noise floor to find any spikes visible. This is what it looks likes when we compare the two cables:
Now I didn't expect this! The D50 is externally powered through a Samsung switching wall-wart. Somehow though switching to Wireworld Starlight 7 reduced the mains spikes by some 20 dB! Mind you, the spikes were not remotely audible at -130 dB before (threshold of hearing is probably -70 dB in these frequencies). It is possible the ground/shields are thicker in Wireworld resulting in lower differential voltage drop between the computer and DAC chassis.
I thought this difference may be due to longer Amazon Basics cable but a much shorter generic cable showed the same performance/advantage for Wireworld.
On the negative side we do have some extra grunge around 8 to 20 kHz so perhaps what makes it good for ground/power, also allows it to better transmit such noise?
I figured I go up market on DACs and test the RME ADI-2 Pro which also is externally powered on its own:
This is with balanced output from RME which nicely shields us from the same mains harmonics. We are talking whopping -150 dB or more for the Amazon Basics cable. But Wireworld cable shows that it can even reduce those tiny spikes to almost nothing. Something seems to be there.
Going back down the scale to a poor performing DAC, namely Schiit Modi 2, we get this:
Now the DAC is so bad on its own that both cables perform the same.
Conclusions
There is some goodness in this wireworld cable that reduces mains hum and buzz. I can't explain that without some electrical analysis which I am too lazy to perform at the moment. So technically we paid more, and we got more.
Now before subjectivists start to celebrate, as I clearly noted, none of those mains components are remotely audible (or you would hear them with generic cables and we don't). And at any rate, no improvements were made whatsoever in actual distortion products. In the case of D50, we actually made things worse a bit.
I guess it is good to find things that we think are totally waste of money, actually produce some measurable improvement. For $100, I wouldn't make fun of anyone buying one of these unless they started to say it made things sound better.
Open to discussions on what we are seeing and where, if anywhere, to go from here.
------------
As always, questions, comments, recommendations, etc. are welcome.
It is snowing here for the first time this year. I need some money to buy snowshoes. Yes, it is only one inch of snow but you don't want me to fall and get hurt, do you? So please consider donating money using:
Patreon: https://www.patreon.com/audiosciencereview), or
upgrading your membership here though Paypal (https://audiosciencereview.com/foru...eview-and-measurements.2164/page-3#post-59054).
The Wireworld Starlight 7 comes in bright red color with nice indicating its UL rating and such:
It has the usual buzzwords of OFC, Silverclad, "Symmetricon design," etc. And of course some fantastical claims such as this one:
"For a 5 STAR enhanced performance experience from gaming to videos, music to movies, rendering to data, downloads and publishing… better cables = broader bandwidth and faster data transmission speeds."
Faster transmission speeds? I don't think so. In this short length any non-broken USB cable will provide the maximum link speed. Or else I would like to see some measurements of this from Wireworld.
The flat profiel cable is nice if you are going up or down from the jack. In my case, I had to go 90 degrees to the left, resulting in an uncomfortable twist in the cable. Would not want to use it that way long term. Seems to me a round cable works better mechanically.
From performance point of view, the flat configuration allows the power lines to be separate from data lines:
The cable has 16 reviews on Amazon with average of 5 stars!
This is second from bottom of the Wireworld cables:
Prices go way up as you go up the range. In that regard and as high-end cables go, $100 is very much a "bargain."
Let's see if we can tease out any differences between our ultra budget cable and the Wireworld.
Measurements
I tested these cables with three DACs starting with Topping D50. The test is a simple 1 kHz tone but FFT points maxed out to 1.2 million (I usually use 256K) and averaging set to 16 times allowing us to substantially reduce DAC's noise floor to find any spikes visible. This is what it looks likes when we compare the two cables:
Now I didn't expect this! The D50 is externally powered through a Samsung switching wall-wart. Somehow though switching to Wireworld Starlight 7 reduced the mains spikes by some 20 dB! Mind you, the spikes were not remotely audible at -130 dB before (threshold of hearing is probably -70 dB in these frequencies). It is possible the ground/shields are thicker in Wireworld resulting in lower differential voltage drop between the computer and DAC chassis.
I thought this difference may be due to longer Amazon Basics cable but a much shorter generic cable showed the same performance/advantage for Wireworld.
On the negative side we do have some extra grunge around 8 to 20 kHz so perhaps what makes it good for ground/power, also allows it to better transmit such noise?
I figured I go up market on DACs and test the RME ADI-2 Pro which also is externally powered on its own:
This is with balanced output from RME which nicely shields us from the same mains harmonics. We are talking whopping -150 dB or more for the Amazon Basics cable. But Wireworld cable shows that it can even reduce those tiny spikes to almost nothing. Something seems to be there.
Going back down the scale to a poor performing DAC, namely Schiit Modi 2, we get this:
Now the DAC is so bad on its own that both cables perform the same.
Conclusions
There is some goodness in this wireworld cable that reduces mains hum and buzz. I can't explain that without some electrical analysis which I am too lazy to perform at the moment. So technically we paid more, and we got more.
Now before subjectivists start to celebrate, as I clearly noted, none of those mains components are remotely audible (or you would hear them with generic cables and we don't). And at any rate, no improvements were made whatsoever in actual distortion products. In the case of D50, we actually made things worse a bit.
I guess it is good to find things that we think are totally waste of money, actually produce some measurable improvement. For $100, I wouldn't make fun of anyone buying one of these unless they started to say it made things sound better.
Open to discussions on what we are seeing and where, if anywhere, to go from here.
------------
As always, questions, comments, recommendations, etc. are welcome.
It is snowing here for the first time this year. I need some money to buy snowshoes. Yes, it is only one inch of snow but you don't want me to fall and get hurt, do you? So please consider donating money using:
Patreon: https://www.patreon.com/audiosciencereview), or
upgrading your membership here though Paypal (https://audiosciencereview.com/foru...eview-and-measurements.2164/page-3#post-59054).