derp1n
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The line out volume is also affected.Interesting. I read this as though I can power and adjust the volume for headphones, and have the line out going at the same time.
The line out volume is also affected.Interesting. I read this as though I can power and adjust the volume for headphones, and have the line out going at the same time.
The line out volume is also affected.
I see very little reason for line out non-variable anyway, it's just 100 volume line out.
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That is, I can not listen to DSD through the headphones output ??
Of course you can. Question was if you can listen to the headphones and have fixed line output at the same time.
But I understand Alex Rus question as "Is it possible to listen to DSD through headphone out without it being converted to PCM before analog conversion?"
Of course the DAC is able to play DSD in both case, with and without volume control, but if the volume control is active the DSD stream passes throw the attenuator (PCM) and delta sigma modulator, while without volume control these elaboration can be skipped. All this stuff is internal to the chip, so no need of any conversion outside, DSD is native supported by AKM 4493
Unless something specifies it is recorded and mastered straight to DSD, you can expect at least a couple of conversions along the way, yes.DSD fans often forget that mixing and volume control are not an easy tasks with DSD. I wonder have they ever asked themselves how reasonable is to believe that DSD was never converted to PCM during production and then converted back to DSD when everything is done..
Unless something specifies it is recorded and mastered straight to DSD, you can expect at least a couple of conversions along the way, yes.
Even worse: Not only is DSD much larger, as a 1-bit stream it can't even be dithered perfectly. IMHO choosing this obscure format for SACD was more about deterring copying even beyond encryption than any actual technical benefits. Remember what was going on at the time: Copying CDs was getting popular, as were filesharing services.I would expect only a small number of recording studios to have equipment able to do that. And why would they, when there's no obvious advantage to PCM.
Even worse: Not only is DSD much larger, as a 1-bit stream it can't even be dithered perfectly.
There are two dedicated buttons. One has a headphone symbol and hitting it enables headphone.
Then there is another button for line out. Hitting that at first, gives you variable output. Hitting it again will give you fixed. It will keep toggling that way.
I just put the remote next to it and navigate that way. It is small, attractive and great for changing things.
DSD fans often forget that mixing and volume control are not an easy tasks with DSD. I wonder have they ever asked themselves how reasonable is to believe that DSD was never converted to PCM during production and then converted back to DSD when everything is done..