Yeah, you can tell the M55XC is the major outlier here, somewhere in the region of 3dB average elevation above the other curves all the way from 1kHz to 20kHz, and also combined with no bass. Surprised about this review given such a large disagreement, even if you take into consideration wall mounting because I'd be surprised if wall mounting can raise up the whole sub 1kHz area (it wouldn't) to match the elevated treble and would also be surprised if it extends the bass by a large enough degree too.Based on the frequency response it looks ear-piercing to me. Looking at the directivity, I'm impressed.
Splendid work on that, Revel, splendid.
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Now, this may be perceived as a little bit of an outlier in the tuning of all Harman/Revel products. I wonder how much a back-wall fills in the lower frequencies to align it more with other Harman speakers. Note to other speaker manufacturers; here's the Harman secret formula for excellent Amir-reviews;
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Yeah, you can tell from your Filter #1 that is applying a very broad gain to the bass/mids combined with likewise Filter #2 that is applying a very broad cut to the treble (and both substantial 3dB gain and attenuation each way), that the speaker is very unbalanced to the tune of a total 6dB skew between bass/mids & treble - those two very broad filters at +3dB and -3dB. I'd be quite amazed if this speaker could sound good without EQ, so I'm surprised.
Unless outdoor speakers are usually garbage, I don't see why this is as well rated as it is. It would be interesting to see klippel with a "wall".
Yeah, you can tell from your Filter #1 that is applying a very broad gain to the bass/mids combined with likewise Filter #2 that is applying a very broad cut to the treble (and both substantial 3dB gain and attenuation each way), that the speaker is very unbalanced to the tune of a total 6dB skew between bass/mids & treble - those two very broad filters at +3dB and -3dB. I'd be quite amazed if this speaker could sound good without EQ, so I'm surprised.
Yeah, I think it would sound pretty good EQ'd (good directivity) and crossed over with a sub provided you didn't play too loud, because these speakers distorted easily as higher volumes.We'd have to see how placing it directly against a wall affects response in the bass and even that will be room and location dependent. In any case this speaker can be EQ'd to be +/-1,5dB anechoically speaking for in-room use with a small amount of filters, which is good news.
This is inside my "photo booth" so probably has a bit more enforcement than it would on one wall.
Takes eq nicely. Good direction performance. No big peaks big dips. Pretty cheap for a revel.Can someone enlighten me what the intended outdoor use case for this speaker is? It is small, distorts early and has limited bass. My experience with (non-mounted) speakers on the terrace/in the garden is that they need a lot more volume, power and bass than comparable speakers indoors. Even with gain from the back wall, a large part the sound energy is dissipated instead of reflected back at the listeners. If they are mounted on the wall they are likely to be quite far away from the listeners. Therefore they need even more volume and power to provide adequate spl, something this speaker can't really do. Are they intended to be used inside a shed or garage? Price is quite steep for that, though....
It would not be wholly correct as the vertical response would not be true, but I can simulate it.Can you recalculate for what it would look like with no toe in? Might help explain the subjective/objective discrepancy, here.
Don't have a gated one but in the process of measuring distortion with Audio Precision, I did measure its frequency response as well:
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This is inside my "photo booth" so probably has a bit more enforcement than it would on one wall. Still, you can see how even the response is.
The bass differences from speaker placement is obvious, but here’s the contradiction of hypotheses this new data point creates: If your large subjective preference of the Revel M16 over the Infiniti in the experiment earlier is due to the increased harmonic distortion from the Infiniti, then this Revel M55 should have received an even more unfavorable review than the Infiniti because it has even more harmonic distortion. But despite this distortion, it appears the Revel M55 sounded much better subjectively (based on review conclusions) than the Infiniti.The speaker has almost no bass out in the open. In that regard, it would lose big to any speaker with bass and its score would be as reported. So my subjective listening test in the same condition as measured, match.
As noted repeatedly, this is an on-wall speaker. I am not yet setup to measure them that way. So we have to imagine the bass improving to fill in the gap there. I was able to listen (almost) that way and that is how I rated the speaker.
I thought this would be obvious.
This is a good explanation of your perceived impression of this speaker- balanced / neutral, and translates well with lots of music, nothing sticking out like a sore thumb, albeit just lacking the bottom 2 octaves...
Yeah this is very interesting, because I had previously thought of dynamic compression as being closely related to distortion vs SPL tests. But on second thought, this is clearly not true.Question; the review says these speakers can play loud based on the compression tests, but based on the distortion test they won't go loud before they invent their very own version of all sounds.
Did they sound very different at those distortion-heavy spls?
That’s pretty damn exceptional for any speaker at that price point