Jiraya369
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神前 暁 氏による Spitfire Audio 製品レビュー|SONICWIRE
作編曲家 神前 暁 氏が Spitfire Audio 製品を使用楽曲例も交えながらレビュー!
Satoru Kosaki
He's the guy behind a decent chunk of anime soundtracks. Of course, he uses live orchestras and has dozens of mixing engineers. But someone of his level using some Adam A7X, with a sub ofc, is kinda crazy for me. Kinda goes to show you don't really need to spend too much to be able to get some reference level quality. Or at least that's my interpretation of it, sure he may have some 100k home theater but his production room is so.... normal. I kinda love it.
Apart from looks/needing a point source setup at extreme nearfield setups, what more could one want? Like after getting a pair of Neumann KH420, what else is there? Controlled horizontal dispersion, deep bass, high loudness capabilities. Or a Genelec 8361B ig if you want some point source type thing for more vertical headroom. These are active as well so they handle their amplifier requirements.
Sure one may want wider sounds, and some others might like cardioid designs due to the reduction of room influence. But what else is there? If low end is needed, you can just add subs to stuff, if you don't like tonality one can just EQ a pair of speakers, if they have good directivity/headroom ofc, and the only other thing that some could want is loudness headroom.
Top mixing engineers spending tens of thousands of dollars makes sense to me, it's exactly how they earn money and so they want to get it all right. And the bigger monitors just allow you to have full range capabilities at a larger distance and some others like to wall mount the big main monitors and stuff.
But I can't really think of anything else. What else could there be that one would want? Design? Prestige? A sense of pride due to getting the exact kind of speakers you wanted in terms of sound, design and heritage? Or do you just like having different pieces of equipment?