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Regrets in buying super expensive components

Hi

List of regrets is too long.
Suffice to say that the best system I have ever had in my 50 years + as an audiophile and music lover, cost less (about $3500 total) than some "audiophile" speaker and interconnect cables, I had in high esteem a few years ago...

Peace.
 
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I regret the opposite instead: I often bought just for the pleasure of trying low/medium budget components.
For a few years I had the desire to buy used, everything I saw as a boy and obviously couldn't afford.
Components that I then often struggled to resell. More for the pleasure of having them and collecting them.
How many times have I read about electronics, speakers described as "legendary" that simply weren't.

The moral? If I had kept my money by buying less, I could have invested in more targeted products, more useful, perhaps higher performing and certainly more resellable.
But try to understand me ... you know when your hands itch, in a shop or in front of a screen where everything seems to be useful and above all pleasing ...
 
Anyone have a larger regret than this?
I will understand if Amir breaks my sword over his knee and bans me.
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Just the very occasional thought that I wish I could have afforded some stupidly expensive stuff, just to go "Ooooh" then sell it :)
 
I am just glad that up until a few years ago I wasn't able to justify or afford the expense of "high end" audio components.
Thankfully I found ASR before any dubious purchases. (Well, aside from a relatively cheap Chinese DAC/Valve preamp. Oops.)
A pair of Neumann KH310s and two BK XXLS400FF subs a few years ago are easily my biggest audio splurge, and definitely no regrets there...Thanks ASR!
 
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Magnepan LRS - I bought these speakers based on several video and RAVE written reviews. Couldn't find them locally to listen to. I had to wait 8 weeks after payment for them to be built and ship. When they arrived I was really looking for a great sound. What they produced was a boomy, poorly defined sound that was horrible with music containing lots of instruments. If you only played them with a female vocalist with just bass/drums you would get a reverb effect that was interesting. But when I desired a crisp audio sound with tight precise playback of my favorite music they were absolutely HORRIBLE.

I asked to ship them back and with restocking fees and return shipping I was out $200. But, friends it was worth $200 to get that junk speaker out of my house. Some people still rave about them. I can only guess they like a lot of reverb in their music? It's definitely not my taste.
 
Just the very occasional thought that I wish I could have afforded some stupidly expensive stuff, just to go "Ooooh" then sell it :)
Well for a long time I had some fairly expensive gear. As I wasn't rich I purchased it used. I often purchased after something was 2-3 years old. On such items if they were popular, deserved or not, you could keep it a year and resale with little to no loss. Some I kept longer. So the cost to me wasn't very much, but it did tie up some money for a time.

So though I've owned some expensive components, I cannot say I've regretted it. Some I liked better than others. I likely could have managed the same sound quality with less expensive gear. The truth is lots of that inexpensive though good gear had nearly zero resale value or interest. So it would have cost me more to buy cheaper and try out as many things. The high end market is the high end market. For every state of the art cheap DAC, you'll get tons more interest in magazine darlings costing 20 times as much if you want to sell it 2nd hand. Or at least that is how it was years back. Maybe it isn't that way now, but I suspect it is looking at the various on line audio sales sites.
 
I've never really been in a position to spend large sums on audio gear so my leanings have basically always been in the "bang for the buck" direction. So, in days gone by when I still valued subjective audio gear reviews I was more likely to be swayed by claims about some less-costly item that performs "like it cost thousands more than it does!" I've bought stuff like that that ended up being not so great as I'd hoped.

Now, I still look for bang for the buck. I just rely on measurements to eliminate most of the guess work.
 
Sonic Frontiers SFL-3. The most transparent tube product I ever owned. The functionality was incredible. It has my favorite remote. It's beautiful to look at. But had two chassis, an armada of tubes, and despite the functionality it lacked tone controls. And it sounded no different than a Bryston preamp (for instance).

I happily sold it to fund new speakers + DSP. I hope the new owner likes it as much as I did. I'm glad I had it, but am left wondering why I would have owned a preamp that costs more than the speakers I was using it with.
 
Regrets? Not so much, because when I was younger, I was fixated on high-end / luxury products, so I could bask in the "pride of ownership", and I also got to meet folks with whom I might otherwise have never crossed paths.

And it's not as if I stockpiled my old toys: I sold or traded them in order to fund new ones, so the value was never completely lost.

Never went too crazy on cables and other tweaks. And considering the minimal resale of most, it's just as well.
 
A system I would buy today, would cost half as much as what I have spent on my system. If not lower....

Was your main system a retirement present to yourself or a "push-the-boat-out I finally got the best I can buy" type purchase? It looks to me the Revels and the ML monos were bought around the same time?

PS, what's going on with the ML monos- have you fixed them yet?
 
I actually have no regrets other than not buying a pair of B&W Nautilus 801s when I had the money lying around. Then I got engaged, married and had a son. B&W changed and I didn't like their new models. Priorities in life also change.

But all the "expensive" gear I purchased new back in the day has served me well.
 
Not really that expensive, but I bought a pair PMC Twenty.22's second hand. I was glad I didn't sell my DIY speakers (not build by me) before getting them, because those PMC's where not very good. At first listen they didn't sound too bad, but that changed after a couple of minutes and listening to different tracks. They had too much treble and there was something weird going on in the bass (had some weird transmission line noise at certain frequencies).
I’ve never encountered what I considered to be a successful transmission line design. They all sounded a bit “ weird” sort of in the way you were describing. Including the PMC speakers I’ve listened to.


Being a) cheap and b) kind of unwilling to spend large sums all at once unless necessary, I've bought very little expensive hifi componentry. That said, I can think of one four-figure purchase that was pretty disappointing all in all.

Oh man, that’s a nice looking turntable. That’s a real bummer that you were apparently disappointed with the sonics.

The moral? If I had kept my money by buying less, I could have invested in more targeted products, more useful, perhaps higher performing and certainly more resellable.

That’s been mostly my approach. I’ve tried all sorts of loudspeakers over the years, In a number of cases, I have bought by spending not too much and with resale in mind (they were higher and speakers, so there was a market for them). But when looking for a real “ settle down with it for a long time or life” decision, I’ve been willing to stretch my budget so that I get the best I can, know that I got the best I could afford, and so I don’t feel regrets. Plus that type of stuff tends to have a level of engineering and finish that gives me long-term pride of ownership, rather than something that feels disposable.


Anyone have a larger regret than this?
I will understand if Amir breaks my sword over his knee and bans me.

Oh man, those speakers look fun! I’d love to hear those!

If I bought something like that, they would have to sound truly awful in order for me to regret them. If they sounded even decent interesting or fun for a while, then I would consider it a worthwhile stop on my audio journey. (and if they sounded really bad, I wonder how you ended up buying them.?)


Sonic Frontiers SFL-3. The most transparent tube product I ever owned. The functionality was incredible. It has my favorite remote. It's beautiful to look at. But had two chassis, an armada of tubes, and despite the functionality it lacked tone controls. And it sounded no different than a Bryston preamp (for instance).

Nice! My friend had Sonic frontiers tube stuff for quite a while as well as their top preamp.

He finally had enough with tube upkeep, and weaned himself off onto solid state amplification. Bryston, and other pieces.
He still likes tube stuff, but he’s happy and content now with solid state.

I don’t think I’ll ever get there :)
 
I’ve never encountered what I considered to be a successful transmission line design. They all sounded a bit “ weird” sort of in the way you were describing. Including the PMC speakers I’ve listened to.
The only ones I like were the IMFs (and, of course, my own).
 
Modeling programs like Hornrep allow for better Transmission Line designing than what was possible in the past

With PMC's I could hear the air rushing(air velocity)
 
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I once bought a studer revox R2R machine with the thought I would use it for effect in the studio. You know, "tape sound". I never even actually used it once and ended up giving it to a friend when I had to move. It was then I realized I was an in-the-box guy like it or not.
 
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