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RCA to XLR trouble

Then Wiki needs to read Audio Engineering Society Standard AES48, or some of Bill Whitlock's papers.
But then 'chassis ground' is not 'circuit ground'.
But should Pin 1 be connected to the XLR connector's metal tab for an Unbalanced to Balanced cable (as shown in that diagram)?
 
For a pro audio portable extension interconnect cable, no. (AES 54)
But for a component to component interconnect, sure in can be and it will give slightly better shielding.
 
A data point on commercial cables if someone wants to buy ready-made.

I added DIY class D/Hypex Nilai 500 amps for LCR to my system, driven by a Denon 8500 AVR. To get things up and running quickly, I used "Cable Matters Dual RCA to XLR Unbalanced Interconnect Cable" from Amazon. There was audible hum within about 2 feet of the tweeter. As noted, the cables have pins 1 & 3 on the XLR shorted and were made with coax to the RCA.

I checked with Sescom (Markertek). They were able to supply the diagram for their RCA to XLR cables (https://www.markertek.com/product/s...uad-3-pin-xlr-female-to-rca-male-black-6-foot). I appreciated that they were able to readily verify the cable diagram. If I'm going to buy premade, I figured why not get star quad which is no fun to solder up in a tiny space.

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They took a few weeks to come in since they are custom made to your choice of length and color. I installed these and the hum is gone. They are very flexible and use Canare L-4E6S. They are overkill, but reasonably priced. Similar cables are available from other sources. I didn't open the XLR to see if the shell tab is connected.
 
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What you finally get as subwoofer?

I had more or less same doubts, finally decided to go for Genelec 7050 and return the F Two. It sounded great though but prefer XLR inputs to the long term even if I had no interferences, in case in the future I go to a balanced source.
 
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