was it 22k for a single speaker or a pair?Revel Salon 2 list price was around $22K. The end of life sale got it down much lower but that was not its normal cost.
the 2024 sale out seemed to be close to 15k for 2pcs?
was it 22k for a single speaker or a pair?Revel Salon 2 list price was around $22K. The end of life sale got it down much lower but that was not its normal cost.
A pair.was it 22k for a single speaker or a pair?
I didn't keep track but thought some dealers were dropping their shorts and selling them for $12K or something.the 2024 sale out seemed to be close to 15k for 2pcs?
seems comparable for the 66 also costing 20k for a pair (10k each).A pair.
The radiant clarity 66 are 10k/pairseems comparable for the 66 also costing 20k for a pair (10k each).
or was the 10k price per pair?
A pair. I will put that in the review.seems comparable for the 66 also costing 20k for a pair (10k each).
or was the 10k price per pair?
Too many variables to answer this question properly but the Genelec directivity is better, Radiant distortion is better. What sounds better depends on your room and your personal preferences.if i were to stack these up against Genelecs 8361
would the genelecs sound better, or would these speakers sound too different since genelec seems to be point source sound, and in the 66s the sound source is vertically spread out?
The Genelec's excellent directivity makes it easier to get good sound out it in real rooms. Its drawback, reinforced with visual bias, is that it sounds kind of small. At least it did relative to my much taller Salon 2. The 66 did not portray a large image around it either so I would say they (Genelec and Clarity) are similar in that regard.if i were to stack these up against Genelecs 8361
would the genelecs sound better, or would these speakers sound too different since genelec seems to be point source sound, and in the 66s the sound source is vertically spread out?
Would you care to explain the reasons why?Despite its size, speaker is 2-way which I much prefer to 2.5 way we typically see.
A flat baffle IS a badly designed WG…To be fair, I'd rather a flat baffle than a badly designed WG and all the lovely diffraction effects they can cause...
IMO the issue is sticking the amps in the speaker cabinets. Active with remote amplification is just more user friendly. I get that on a desktop or in a secondary system having fewer boxes may make the trade off worth it. But for serious stuff I think amp-in-the-speaker cabinet is a mistake.The general market for active speakers in hi-fi is indeed, quite a bit smaller. However, the market size portion among the people who care about this technology, i.e. us,, is a lot bigger.
I'm one of them but for different reasons. I just don't like to have all the electronics inside a speaker due to servicing and being future proof.would be nice but active speakers are sadly not an easy sell to the hifi market. they eliminate expensive cables and several other electronics boxes. somehow consumers don’t value all the electronics inside active speakers
You can always make the amp+DSP external.IMO the issue is sticking the amps in the speaker cabinets. Active with remote amplification is just more user friendly. I get that on a desktop or in a secondary system having fewer boxes may make the trade off worth it. But for serious stuff I think amp-in-the-speaker cabinet is a mistake.
That would be my ideal speaker.You can always make the amp+DSP external.
That's a fun looking speaker. Send it in and let's compare to the KH420Similar price range as CLC65, tough price point to compete at.