$3,5k and it looks as if its built with garage leftover parts and too much instant glue...
And i thought it's only me.
$3,5k and it looks as if its built with garage leftover parts and too much instant glue...
I'll look forward to seeing the results, be interesting to compare the same phones measured on 2 different fixtures.I have not published them. I keep wanting to do that but other urgent reviews get in the way.
Crincale has also measured these, and also has the Harman target:
View attachment 85677
Also showing sone driver mismatch, but higher in frequency.
Cool.Do note that these are very dependent on positioning, so the higher frequency channel imbalance may not be "real". I had my measurements marked as "ear contact" (the optimal positioning) and "no ear contact" for those interested.
Someone asked for THD measurements and I managed to get some for the SR1A, given the quiet environment I was in (6 sample size, 3 tries per channel):
View attachment 85678
(1.2kHz blip looks to be exclusive to the left channel I measured and is repeatable, so I wouldn't call it a measurement artifact.)
Which explains why the bass sounded so "limp" and weak despite having less roll-off on FR than, say, a HD650.
Cool.
What playback level is that at?
20hz to 1k takes more than half the graph i think it could be tweaked a bit?
any plans to include stuff like impulse response, thd, sensitivity yada yada yada
That’s the same for speakers.20hz to 1k takes more than half the graph i think it could be tweaked a bit?
Oddly enough I sold my 6.5' tall electrostatic speakers (downgraded to Magnepans) after picking these up on a whim as I realized I trusted them more for mixing ... Especially for details, than the ESLs or Magnepans or JBLs I had at the time. I do miss the giant electrostatic speakers though as they were fun to listen to and probably would get more use for general listening: but If I was going to keep one ... I kept what I trusted the most.
I think in their design they were aiming for something catering to audio professionals moreso than audiophiles which I'm happy they did. I personally don't mind the looks and it's the most comfortable headphone I've ever owned. Everything is easily replacable and built solid. Though if you jump around they will fall off. Its also the first of it's kind with a ribbon transducer and the user can replace the ribbon which is nice unlike other headphones if a driver goes bad you need a new set. I was always worried about rolling over the non replacable stax headphone cables with my chair! Obviously it's not for everyone but for the few who do certain types of work like listening to noise reduction plugins and dialog editing all day long or does pro audio work on the go and can't bring speakers with them: it works great.
+ impedance and electrical phase graphsany plans to include stuff like impulse response, thd, sensitivity yada yada yada
That's an interesting perspective.Oddly enough I sold my 6.5' tall electrostatic speakers (downgraded to Magnepans) after picking these up on a whim as I realized I trusted them more for mixing ... Especially for details, than the ESLs or Magnepans or JBLs I had at the time. I do miss the giant electrostatic speakers though as they were fun to listen to and probably would get more use for general listening: but If I was going to keep one ... I kept what I trusted the most.
I think in their design they were aiming for something catering to audio professionals moreso than audiophiles which I'm happy they did. I personally don't mind the looks and it's the most comfortable headphone I've ever owned. Everything is easily replacable and built solid. Though if you jump around they will fall off. Its also the first of it's kind with a ribbon transducer and the user can replace the ribbon which is nice unlike other headphones if a driver goes bad you need a new set. I was always worried about rolling over the non replacable stax headphone cables with my chair! Obviously it's not for everyone but for the few who do certain types of work like listening to noise reduction plugins and dialog editing all day long or does pro audio work on the go and can't bring speakers with them: it works great.
$3,5k and it looks as if its built with garage leftover parts and too much instant glue...
Three and a half grand ... that would be bad for a 20$ headphoneSomeone asked for THD measurements and I managed to get some for the SR1A, given the quiet environment I was in (6 sample size, 3 tries per channel):
(1.2kHz blip looks to be exclusive to the left channel I measured and is repeatable, so I wouldn't call it a measurement artifact.)