I don't care about the color. Bordeaux, black or white are OK for me.
I'm happy that Amir has appreciated much these speakers and he hasn't stop his test review to pure measurments, which are good but not exceptionnal, but, once again, unless you don't push the limits of speakers, some weaknesses in measures are not problematic.
I definitely LOVED the PSI a17 et A23-M that I listened about two years ago at JL Ohl booth near Paris and very close from my home. Performance wise, Genelec and Neumann are superior to some extent, but PSI are still good. I was not bothered at all by any audible distorsion in the bass and mids. I have not been bothered too by the narrow sweet spot and small directivity errors.
By the way, JL Ohl is a super competent acoustician, audio d)stributor and installator in the pro audio world. His place is one of very rare where you can compare lot of gears, and speakers like PSI, Genelec and Neumann, with an appointment prepared in advance of course.
That's not an ad from me, I didn't buy anything from him, I don't have the money. But I value competent and nice peole like JL Ohl, that's all..
All analog is simplicity and PSI speakers can be easily serviced in their factory in the french speaking part of Switzerland.
The absence of DSP can be easily replaced by an external digital EQ and calibration. So the choice of all analog circuitry and filtering is still fine (though I admit that the latency of the latest generation of DSP is very low and not anymore a real problem for 90% of the audio works).
My only concern about PSI is their high price of course, but when you really love, you don't count. Anyway, their other conservative concurrent ATC is more expensive and not better. So for people, including pros, who can afford such high priced speakers and value tradition and easiness of service, PSI remains a good choice.
If this speaker brand stays so much appreciated by numerous studios and musicians, especially in the classical music field, there should be some good reasons.