But can an NFS tell you what a good one is? Ild like to extent that to electric guitar which means there amps. Can an NFS tell me if I should buy a Fender instead of a Marshall?Fiddles are tools, not art.
But can an NFS tell you what a good one is? Ild like to extent that to electric guitar which means there amps. Can an NFS tell me if I should buy a Fender instead of a Marshall?Fiddles are tools, not art.
You could totally klippel (it's a verb now lol) several guitar amps, get the frequency and time and distortion response, then compare it to your taste, and then determine what exact characteristics make or break a guitar amp according to your liking.But can an NFS tell you what a good one is? Ild like to extent that to electric guitar which means there amps. Can an NFS tell me if I should buy a Fender instead of a Marshall?
If you know what you're going to do with the amp, i.e., what you are going to play, with whom, and where, an NFS might answer the question, or at least provide you part of what you need to know to decide whether you want a Marshall or a Fender.But can an NFS tell you what a good one is? Ild like to extent that to electric guitar which means there amps. Can an NFS tell me if I should buy a Fender instead of a Marshall?

Someday this will be somethig every person will accept as a fact.That's the beauty of actually understanding measurements. Learn to interpret them and how they relate to your subjective perception, and it will become much easier to get the exact sound you want. Science describes "feeling" rather accurately!
Thats true. I usually measure outside with 7-8ms gating. I follow kimmostos instructions to merge farfield and nearfield bass response.Well, there are some significant limitations in midrange resolution, depending on your ability to get a long enough window length for our gated response. That has been a significant issue for me.
Scott Hinson that used to run the DIYBasslist back in the day (if any of your are old enough to remember usenet and listserves), has a pretty good white paper on this issue:
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Speaker Freakers | I measured a tiny little speaker...and wrote about it a lot | Facebook
I measured a tiny little speaker...and wrote about it a lot. The same concepts apply to bigger speakers...which makes things a whole lot more complicated.www.facebook.com
A lot of musicians already do. Virtual amp modelling these days takes impulse responses (=measurements) of guitar amps and cabs and then uses convolution to impose it on any signal. Exactly how convolution reverb works. You sample the response of a thing - piece of electronics, speakers, a room - with a standardised noise burst.Someday this will be somethig every person will accept as a fact.
Well, there are some significant limitations in midrange resolution, depending on your ability to get a long enough window length for our gated response. That has been a significant issue for me.
Scott Hinson that used to run the DIYBasslist back in the day (if any of your are old enough to remember usenet and listserves), has a pretty good white paper on this issue:
![]()
Speaker Freakers | I measured a tiny little speaker...and wrote about it a lot | Facebook
I measured a tiny little speaker...and wrote about it a lot. The same concepts apply to bigger speakers...which makes things a whole lot more complicated.www.facebook.com
It’s just important to understand where the data is valid and where you have low resolution etcI sure hope this guy knows about vcad now, because that's a lot to type up when one could just say "merge NF with Far Field". Pretty accurate results that way.
Musical instruments can only produce sounds; some people can create music from them.instruments produce music; hi-fi gear reproduces it
analogizing the two is a non-starter
It depends alot of your data what you feed to vcad.I sure hope this guy knows about vcad now, because that's a lot to type up when one could just say "merge NF with Far Field". Pretty accurate results that way.
It depends alot of your data what you feed to vcad.
The lower you can merge the better so you need good measurements for farfield to get better midrange resolution.Shouldn't depend on much, measure from 1m, measure close mic of driver. Merge em.
Not going to work if you want to measure the radiation pattern of cardioid bass.Shouldn't depend on much, measure from 1m, measure close mic of driver. Merge em.
The part that many still refuse to accept today, is that if they do measure well, they will sound good!Electronics are easy to measure these days and we should make products that measure well and sound good.
They're not even consistent with it, who woulda thunk it. "Warm" usually means slightly muffled with a hint of even distortion, while "black" is almost the opposite: zero noise and clean signal. German hifi magazines like to talk about "raven black bass", what they mean by that is a speaker going very low with very low distortion. Clean subbass.The part that many still refuse to accept today, is that if they do measure well, they will sound good!
Also, unfortunately some people purpose build electronics that don't measure well and then insist the resulting sound is better, warmer, blacker, whatever. BLAH
This is just as ineffective in the long run as falsifying or manipulating the measurement data from an APx Audio Analyzer.Methinks it's only a matter of time before somebody manipulates the data gained, and publishes it - as proof of their products performance. If I were Klippel, I would seriously consider countermeasures.