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PreSonus ERIS 3.5 Gen 2 Powered Speaker Review

Rate this speaker:

  • 1. Poor (headless panther)

    Votes: 205 96.2%
  • 2. Not terrible (postman panther)

    Votes: 7 3.3%
  • 3. Fine (happy panther)

    Votes: 1 0.5%
  • 4. Great (golfing panther)

    Votes: 0 0.0%

  • Total voters
    213

amirm

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This is a review and detailed measurements of the PreSonus ERIS 3.5 Generation 2 "Studio Monitor" (powered speaker). I purchased it on member suggestion for US $100. It normally costs US $109 but is on Prime Day sale right now for US $89 (a pair).
PreSonus Eris E3.5 Near Field Studio Monitors powered desktop speaker Gen 2 generation review.jpg

Speaker is quite small and light (picture makes it look bigger/nicer). I like the front controls which makes it much more useful for desktop use than a traditional studio monitor with no volume control and gains in the back. Speaking of the back, it is very feature rich:
IMG_0003.jpg

Alas, this is the "master" speaker. It feeds the other speaker using just one pair of wires meaning the crossover is passive and there is only one channel of amplification per speaker.

If you look at the tweeter level, you see that it is turned down some. During pre-testing, the levels of tweeter were quite high so I decided to bring it down some. As you will see later, this was not enough.

Note that this is the "generation 2" which is supposed to be newer and improved. The original is still on sale on Amazon.

PreSouns ERIS 3.5 Gen 2 Speaker Measurements
As usual, we start with our anechoic speaker measurements:
PreSonus Eris E3.5 Near Field Studio Monitors Anechoic CEA2034 Frequency Response Measurements.png

Oh boy. This is as bad as it gets folks. It seems there was no attempt at optimizing the response at all. The only positive is the good directivity once the tweeter takes over (above 2 kHz).

The woofer does its damage to both early reflections and predicted-in room response:
PreSonus Eris E3.5 Near Field Studio Monitors Anechoic CEA2034  early reflection Frequency Res...png


PreSonus Eris E3.5 Near Field Studio Monitors Anechoic CEA2034 Predicted in-room Frequency Res...png


Near-field response shows some of the causes:

PreSonus Eris E3.5 Near Field Studio Monitors driver port Frequency Response Measurements.png

Port is tuned high which in turns causes even more of a one-note bass response. The woofer misbehaves throughout the range, messing with otherwise decent response of the tweeter. Cabinet resonance pokes its head up high below 2 KHz.

The two drivers are close in size so directivity turns out to be good:
PreSonus Eris E3.5 Near Field Studio Monitors horizontal beam width Measurements.png

PreSonus Eris E3.5 Near Field Studio Monitors horizontal directivity Measurements.png


Vertical directivity is quite narrow so best to stay at laser level of tweeter:
PreSonus Eris E3.5 Near Field Studio Monitors vertical directivity Measurements.png


I could hear the little woofer struggling at my standard 86 dBSPL during sweeps. So instead of going up in level, I went down to 80 dBSPL for comparison:
PreSonus Eris E3.5 Near Field Studio Monitors relative THD Distortion Measurements.png

The woofer is misbehaving and badly. Here is a comparison of the total THD at the two levels:
PreSonus Eris E3.5 Near Field Studio Monitors relative THD Distortion comparison Measurements.png

From bad to worse.

The very uneven frequency response means that the absolute levels of distortion can be quite misleading:
PreSonus Eris E3.5 Near Field Studio Monitors THD Distortion Measurements.png


I am going to stop here. And no, I am not going to listen to it!

Conclusions
From what I recall, the Gen 2 was supposed to have an improved woofer yet the product being lower cost. Well, the managed the latter but not the former. This is a disaster of a response and not worthy of purchase at any price. Shame is that for the same cost, it could have been better.

I can't recommend the PreSonus ERIS 3.5 Generation 2. Save a few hundred dollars more and buy a proper "studio monitor."
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As always, questions, comments, recommendations, etc. are welcome.

Any donations are much appreciated using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
 

Attachments

Looks remarkably similar to Erin's review of the Gen 1, which he also rated quite poorly, and for the same reasons!
 
Wow , thats almost bad enough to put me off my breakfast beer.., almost .

Its rare to see such a disaster these days , shocking results were quite common back when Amirm first started testing stuff .

Thanks for the effort mate , maybe a member could take these on, strip them and see if they can make a half decent speaker out of it .., or maybe put them in a skip !
 
Absolutely dismal. Then again i'm not too surprised, I own a Presonus interface which was virtually unusable since day 1 because of driver issues. These have since been resolved, but now I have problems with the USB connector. So I know that QC is lacking at Presonus, but I did not know anything about their engineering. I guess now we know.
 
E-waste
 
A relative of mine has exactly these, the Gen. 2 version and is using them as desktop PC speakers - for whatever gaming purposes I suppose. They are quite small indeed but perfectly adequate for his use case, probably even better than the supermarket 2.1 systems you can get for that money.
As a studio monitor, yeah it's just nah..
 
Sometimes cheap is... too cheap.
Thanks for the warning to potential buyers.

I have myself become very reluctant to buy anything a) new on the market and b) not tested externally.
 
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Don't even have to save a few hundred more to get something decent. You can pick up a pair of the Edifier MR3 for $150 and have an actually decent pair of desktop speakers. These are probably worse than your average Logitech computer speaker kit.
 
Thanks for the review, and the warning. Not good.
 
Here is my take on the EQ.

Please report your findings, positive or negative!
For the score rational your journey starts here
Explanation for the sub score
The following EQs are “anechoic” EQs to get the speaker right before room integration.
If you able to implement these EQs you must add EQ at LF for room integration, that is usually not optional… see hints there.

The raw data with corrected ER and PIR:

Score no EQ: 0.2
With Sub: 3.0

Spinorama with no EQ:
  • Poor all around especially for a "Pro" oriented brand
Presonus Eris 3.5 Gen 2 No EQ Spinoraram.png


Directivity:

Better stay at tweeter height
Horizontally, better toe-in the speakers by 10/15deg and have the axis crossing in front of the listening location, might help dosing the upper range.
Presonus Eris 3.5 Gen 2 LW data.png

Presonus Eris 3.5 Gen 2 2D surface Directivity Contour Only Data.png


EQ design:

I have generated two EQs. The APO config files are attached.
  • The first one, labelled, LW is targeted at making the LW flat
  • The second, labelled Score, starts with the first one and adds the score as an optimization variable.
  • The EQs are designed in the context of regular stereo use i.e. domestic environment, no warranty is provided for a near field use in a studio environment although the LW might be better suited for this purpose.

Score EQ LW: 4.2
with sub: 6.6

Score EQ Score: 5.2
with sub: 7.4

Code:
Presonus Eris 3.5 Gen 2 APO EQ LW Redux 96000Hz
July102025-201807

Preamp: -2.90 dB

Filter 1: ON HPQ Fc 48.7 Hz Gain 0.00 dB Q 1.60
Filter 2: ON PK Fc 107.9 Hz Gain -10.60 dB Q 1.46
Filter 3: ON PK Fc 929.1 Hz Gain -2.80 dB Q 5.99
Filter 4: ON PK Fc 1524.1 Hz Gain -5.45 dB Q 3.04
Filter 5: ON PK Fc 1842.1 Hz Gain -5.72 dB Q 3.74
Filter 6: ON PK Fc 3067.6 Hz Gain -2.89 dB Q 2.00
Filter 7: ON PK Fc 5467.9 Hz Gain -5.97 dB Q 0.54
Filter 8: ON PK Fc 9124.1 Hz Gain -2.22 dB Q 2.63
Filter 9: ON PK Fc 17617.9 Hz Gain -3.53 dB Q 5.98

Presonus Eris 3.5 Gen 2 APO EQ Score OTT 96000Hz
July102025-201807

Preamp: -2.80 dB

Filter 1: ON HPQ Fc 48.7 Hz Gain 0.00 dB Q 1.60
Filter 2: ON PK Fc 108.2 Hz Gain -10.60 dB Q 1.41
Filter 3: ON PK Fc 890.5 Hz Gain -3.09 dB Q 2.56
Filter 4: ON PK Fc 1710.3 Hz Gain -7.60 dB Q 2.57
Filter 5: ON PK Fc 1409.7 Hz Gain -5.79 dB Q 5.61
Filter 6: ON PK Fc 3092.3 Hz Gain -3.06 dB Q 1.63
Filter 7: ON PK Fc 6771.8 Hz Gain -7.59 dB Q 0.43
Filter 8: ON PK Fc 8545.7 Hz Gain -1.73 dB Q 5.99
Filter 9: ON PK Fc 17060.4 Hz Gain -3.26 dB Q 3.98

Presonus Eris 3.5 Gen 2 EQ Design.png

Spinorama EQ LW
Presonus Eris 3.5 Gen 2 LW EQ Spinoraram.png


Spinorama EQ Score
Presonus Eris 3.5 Gen 2 Score EQ Spinoraram.png


Zoom PIR-LW-ON
Presonus Eris 3.5 Gen 2 Zoom.png


Regression - Tonal
Presonus Eris 3.5 Gen 2 Regression.png


Radar no EQ vs EQ score
Some improvements?

Presonus Eris 3.5 Gen 2 Radar.png
 

Attachments

  • Presonus Eris 3.5 Gen 2 APO EQ Score OTT 96000Hz.txt
    Presonus Eris 3.5 Gen 2 APO EQ Score OTT 96000Hz.txt
    534 bytes · Views: 92
  • Presonus Eris 3.5 Gen 2 APO EQ LW Redux 96000Hz.txt
    Presonus Eris 3.5 Gen 2 APO EQ LW Redux 96000Hz.txt
    533 bytes · Views: 88
  • Presonus Eris 3.5 Gen 2 2D surface Directivity Contour Data.png
    Presonus Eris 3.5 Gen 2 2D surface Directivity Contour Data.png
    386.7 KB · Views: 161
  • Presonus Eris 3.5 Gen 2 3D surface Vertical Directivity Data.png
    Presonus Eris 3.5 Gen 2 3D surface Vertical Directivity Data.png
    405.7 KB · Views: 164
  • Presonus Eris 3.5 Gen 2 3D surface Horizontal Directivity Data.png
    Presonus Eris 3.5 Gen 2 3D surface Horizontal Directivity Data.png
    413.8 KB · Views: 172
  • Presonus Eris 3.5 Gen 2 Normalized Directivity data.png
    Presonus Eris 3.5 Gen 2 Normalized Directivity data.png
    1.1 MB · Views: 166
  • Presonus Eris 3.5 Gen 2 Raw Directivity data.png
    Presonus Eris 3.5 Gen 2 Raw Directivity data.png
    1.5 MB · Views: 189
  • Presonus Eris 3.5 Gen 2 Reflexion data.png
    Presonus Eris 3.5 Gen 2 Reflexion data.png
    602.8 KB · Views: 177
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These are better than the stereo record player units that my teenage friends had in the early 1970's.
Quality wasn't so important, if they could play their favourite songs for pocket-money prices.
Those record players were the inspiration for me to make my own stereo system, and so began a long and arduous journey.
 
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