At least they're not literal garbage like the small ones.£65k for an active three way!
Keith
At least they're not literal garbage like the small ones.£65k for an active three way!
Keith
I remember knowing the old large mid 70s IMF speakers which influenced PMC so much I gather... The big 'Pro Monitor III' and TLS80 models had the usual cancellations at 120Hz or so, but IMF's (John Wright) trick was to pull thr emid and top down to match the response dip, sacrificing a little sensitivity and in the pre RSPM IV models, also risking a flat level bass rise below 100Hz (all in the early 'Choice speaker tests in 'worldradiohistory') They did a full scale loud (Hendon) brass band recording from master tape donated to us by reviewer Angus McKenzie SO well though
The thing is, PMC don't seem to do anything about the cabcellations in the mid bass, so their larger models often look absolutely terrible in the 80 - 400Hz region. Thing is, the room my big old ATCs were used in, would have 'liked' that response shape, as there was a bump-up at 120Hz in my listening seat (not there if I sat to one side), this when analogue graphic equalisers were taboo in audiophool circles such as I floated around in.
P.S. I got to know their Fact Fenestria speakers (now an 'OUCH!' inducing fifty five grand in UK money) and really liked them in a LARGE room with very high ceiling. The usual PMC hf rise wasn't an issue especially heard 4 - 5m away and in this space, the bass didn't swamp either. Surprising though, that the HFN measurements showed a bass roll-off below 80Hz, something I'd never have imagined at all
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Here's a vintage response plot of the IMFs I'm banging on about above - I never found the '80 as bright as the test there shows (both tests Crown driven I believe)
Page 123 - https://www.worldradiohistory.com/UK/Hi-Fi-Choice/1975-1982/Hi-Fi Choice Iss. 003 Loudspeakers 1976.pdf
Any measurements for the main monitors, nothing on the PMC site.
Keith
From a few pages ago... They're not ruler flat, but none of this roller coaster batman nonsense.They only work in very large boxes. This is the MB2SE. No meaningful problems from it there. But that box is also huge, so the usual problems aren't there.
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I think we disputed that above.They always do. It's part of what makes hifi magazines utterly useless. Every single speaker that's above the budget class gets effusive praise, every time.
Such records are made with every conceivable speaker and system. That doesn't make the products great at what they do. Besides, music becomes hugely popular due to what it is, rather than its fidelity. Backstreet Boys sold not because audiophiles bought millions of their records. I know if I like some music, you can play it on a clock radio and I still would enjoy it.I have worked with both in music studies as many of my colleages. I guess thousand of multi-tinum records done with that brands speak for theirselves
Well, let's test that experience. Here is the frequency response of the PMC again:Experience and skills. By your words I can understand that you are saying actual hit records are a merely luck and not mixing/mastering engineer skills ...
Who says? Look at the frequency response again. There is a suck out from 1 to 3 kHz. This is super important to imaging as that is where a lot of differential between left and right channels exist. The result is below average imaging, not above.Nope, the ability to represent soundstage and pinpoint elements as precise as possible
LOL. I let myself be deluded by the reviews, plus I wasn't familiar with PMC' home theater offerings.You conjure up Claude Raines (in Casablanca). OTOH, over the years, many reviews of PMC in Stereophile have been critical and supported by measurements. I am not shocked.
I wish he did all the reviews, honestly. Though not as detailed as what we get here, at least he measures the speakers.Phil Ward actually measures the speakers he reviews for Sound on Sound.
Keith
Going by ears of someone with decision making power....
Can someone enlighten me what happened here? I’m sure PMC engineers know principles of good speaker design and have access to measurement equipment and this speaker is not exactly cheap so shortcuts in design process could have been avoided or at least minimized. Yet we have this. House sound? Negligence? Something else?
Going by ears of someone with decision making power....
two things are happening here:Can someone enlighten me what happened here? I’m sure PMC engineers know principles of good speaker design and have access to measurement equipment and this speaker is not exactly cheap so shortcuts in design process could have been avoided or at least minimized. Yet we have this. House sound? Negligence? Something else?
Legacy companies have their fan boys that are attracted to the brand and the particular style and design concept.Can someone enlighten me what happened here? I’m sure PMC engineers know principles of good speaker design and have access to measurement equipment and this speaker is not exactly cheap so shortcuts in design process could have been avoided or at least minimized. Yet we have this. House sound? Negligence? Something else?