DR 7 to DR 12 is a major difference - what "larger difference" were you expecting? Or are you saying you were expecting a larger difference in the sonics when you listened to it? Honestly, a good number of overly compressed albums are not actually badly mastered other than the compression - often the EQ is about right, the clarity is good, and the recording quality is decent. (There are of course many horribly over-produced, auto-tuned-to-death productions too; but I don't think the Adele album is one of them.)
So if the de-clipped version sounds similar, but less fatiguing and bit more open, I'd say that's a very good thing. The goal of de-clipping is not usually to make it sound like a totally different mix, just to undo a good bit of the digital limiting that was applied at (usually) the final post-mix mastering stage.