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Paris Audio Video Show 2022

Sokel

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I didn't visit the Paris Audio Video Show 2 weeks ago, for the first time in many years (approximately 40 y) . I feel a bit fed up with all the "audiophilia nervosia" and mega bucks systems which are no better, and sometimes worse, than much cheaper ones.

Considering the ATC/ Chord exhibition, this is an obvious example of an overpriced system, which could have been better and (a little) less expensive if the active version of this excellent speaker has been chosen, paired with all good ATC electronics instead of the ugly -to my taste-and massively overpriced Chord electronics, for probably better results.

I profoundly dislike the direction taken by Chord towards hype and blingbling design and prices, a pity when one remembers the Chord early years, focusing on serious and innovative studio grade power amps.
The thing that stroked me as strange is that on top of the ATC power amps who control the active system (is there,on the boards on the sides) there is a Chord power amp with unknown use.
Maybe for display only?
 

Vacceo

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Call me a cynic but having now become a firm subscriber to the ASR 'let's get the basic concepts right' foundation I look at some of those shiny trinkets of hifi componentry and don't get a nice warm feeling as I would have 10 years or so ago. I immediately looked at speaker cable thicknesses and could see some real 'hose thickness' stuff.

Of course some of the stuff exhibited probably did sound good. Very good even. And some would argue it's not just about the sound but cool aesthetics.

Nice photo's though.
Nice design is still nice design. However, it should come with an equally nice performance. Those Blades, for example...
 

Multicore

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Diligent work there, @VintageFlanker. Well photographed. Rather you than me but thanks for your efforts.

How did exhibitors decorate their booths, apart from showing off the products?

Monitor Audio uses a trompe-l'œil door to a patio, if I see it right. Kef uses painted breeze block while Klipsch has unpainted red brick. McIntosh has unpainted red brick too, but with a leather club chair from which to view a pyramid of 10 giant VU meters. McIntosh has another decoration that looks like the exterior of a villa with driveway and a Ford Edsel.

Cabasse uses what looks like stock photos of a dude wearing generic stubble and a Godin multitac nylon and a gal with dramatic hair holding (awkwardly, since I can't see a strap) what looks like a vintage Les Paul bass. Elipson's stock photo is even more embarrassing since it's used everywhere, for everything, all the time. Dynaudio's stock (I assume) photo has an elegant woman in a room that looks like it was rented yesterday.

If there's a theme to these it's the escape from routine life to either the pad or hotel where you meet your fancy lady or your elegant country home where family might have a place. Those are both aspirational while I think the concert-like photos are nostalgic.

Props to all the exhibitors who refrained from such subliminal messages from their marketing people.

I'll make a technical exception for Monitor Audio since I rather like the effect and I might see if we can do something like that in a future booth decoration.
 
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Multicore

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You took all those fabulous photos on a Google Pixel 7? Wow.
+1.

Phone cameras have improved so much. If a) the subject approx fits the native field of the camera, and b) there's enough light that sensor gain is modest then you can usually get terrific results. The small sensors on phones have the extra advantage of lots of depth of field which is useful for many of the scenes in this set. For this assignment, a camera with a 36x24 sensor would be a PITA relative to the phone.
 

AdamG247

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They are almost certainly not "worth" more than your house Adam
Yes, you are correct I used the wrong word. Really meant that they are asking for prices that are. Worth was very much a bad word choice. I deserve being called out for that! :facepalm:
 

DavidEdwinAston

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Yes, you are correct I used the wrong word. Really meant that they are asking for prices that are. Worth was very much a bad word choice. I deserve being called out for that! :facepalm:
Don't beat yourself up! I knew what you meant! :)
 

Gremlins

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To continue with the speakers of exception with an unsightly base, there is the Revel ultima with this flap that I find atrocious especially as it can not close when the cables are in place. So I prefer the blade .
s-l500.jpg
I think the cabes will connect from the bottom, that way you can close the tap. Look nellow bindingposts, there's a path for cables
 

Kal Rubinson

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I think the cabes will connect from the bottom, that way you can close the tap. Look nellow bindingposts, there's a path for cables
True but it greatly limits your choice of cable/connectors that will allow the door to close over them.
 
OP
VintageFlanker

VintageFlanker

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was going to ask how stuffed sounded, but this group doesn't care about sonics
And I'm still gonna answer that.
However, it should come with an equally nice performance. Those Blades, for example...
Clearly not my favourites.;)
there is a Chord power amp with unknown use.
Maybe for display only?
This system wasn't running while I was in this room. My guess is that they probably demoed both ATC power amps and the Chord stack to show the "differences"...
 

bo_knows

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And I'm still gonna answer that.

Clearly not my favourites.;)

This system wasn't running while I was in this room. My guess is that they probably demoed both ATC power amps and the Chord stack to show the "differences"...
First of all, thank you for getting us a virtual tour of the Paris Audio Video show.
Can't wait to hear your subjective opinion and your favorite(s). :)
Also, maybe you can expand and let us know what went "wrong" with KEF Blade 2 presentation.
 

JoetheLion

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So when I saw this photo with $40K of dCS DAC and Clock, that Stereophile said was a must have combo, wonder how it would measure against the latest $399 Chinese DAC that exceeds the last half dozen reviewed?
Clear answer: worse. :)
 

Multicore

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Nice photos...was going to ask how stuffed sounded, but this group doesn't care about sonics, just a few measurements.
My interest in measurements presented and discussed in ASR is specifically because of how they relate to sonics. But I suspect you don't really need to be told that.
 

Badunn

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Nice design is still nice design. However, it should come with an equally nice performance. Those Blades, for example...
Yep can’t disagree. And the article by @VintageFlanker is awash with some great photos of fabulous looking eye candy. I’m all for good design and I’ll make the assumption, in the interests of fairness and not being too negative, that a majority displayed would stand up to measured scrutiny.
 

gitaarwerk

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dont like the prics, nor probably how they measure, but they all do sure look impressive :D
btw..i think those blades or kef refs are measuring pretty decent.

I got the old refs one after they produced the sound I like... (I heard avalon acoustics once at a hifi show...thought there was a real band playing.... i stil hear that now. Thats my joy, the rest, dont care :) except for the haunting idea that my gf puts a plant or funny things on top of my piano gloss speakers :D )
 

restorer-john

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I noticed that as well, along with the trend to have the tweeter and midrange drivers behind the woofers (time alignment?).
Acoustic centres of the voicecoils. All the rage in the 1970s. Glad to see it’s come full circle- again.
 
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