Yeah, there are limits to what you can do in a small sealed box ultimately. The DD8C and C8C absolutely have these limitations too (they're not exactly large boxes), though being a somewhat larger sub-cabinet for the woofers helps this as the air spring is more linear at higher excursions in a larger box. You can see this at 86dB for the 8C vs the Orbit via Erin's own measurements - the 8C stays below 3% to ~45hz, and doesn't go above 5% until about 35; by comparison, the O11 hits 3% at about 55hz, and hits 10% by about 45hz. Neither of these is anywhere near world-beating (compare to the ported monopole KH420, which doesn't rise above 3% literally at all at 86dB), but like everything in speaker engineering, it's all tradeoffs.They are so tiny that at one point their good power and drivers are fighting physics.
The reason you don't see the rise in lower midrange/upper bass distortion on the O11 vs the 8C is solely down to just how low the 8C is controlling the pattern by comparison (almost another octave lower). Controlling to ~250hz is great, and I'd certainly call that "good enough" for a speaker of its size, but getting pattern control down to ~150hz passively requires a great deal more excursion - and the 8C doesn't have any meaningful amount more midwoofer driver area to do that (the center is a phase plug, so just like a coax driver, it's not radiating anything from that region).
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