I have only got a single sub atm. Dual subs to function as stands for the Genelecs is now the plan.What about dual subs with the Orbits?
I have only got a single sub atm. Dual subs to function as stands for the Genelecs is now the plan.What about dual subs with the Orbits?
Even brighter? I find the Orbit slightly brighter than neutral, at least compared to the KH120a.- The Genelec's sound slightly brighter

The difference is at higher levels. The dual bass drivers of the Palmer, coupled with the dedicated mid-range produce lower audible IMD levels compared to the Genelec at higher levels.You're Comparing to Genelec 8350? I would expect an 8" driver in bass reflex enclosure should be quite close in output to the dual 8" of the Orbits. And the Genelec driver is probably higher quality to start with. Nevertheless, it's a 2-way system which will suffer IMD once playing high bass levels.
What do you mean by "bass integration".
The Genelec's project a larger image. The soundstage is larger with the Genelec's vs closer with the Palmers. I felt the Palmer did not have much soundstage width but produced a more focused center image.how about imaging and sound stage?
Both speakers are as close to the rear wall as space allows. I think the messy 1-200hz range is a combination of the rear wall distance from the listener and the rear wall from the speakers.@montyliam did you ever try moving the Orbits directly to the rear wall? The cardioid is only effective above 250-300Hz. At 50cm distance you will get rear wall recflection with inverse phase at about 140/280/560Hz. The deepest suckout in your plot is probably caused by rear wall reflection. When you move the speakers right to the wall the reflections with inverse phase move up in frequency and the cardioid dispersion should reduce reflections. At least worth a try I would think.
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Ok, I see. Just to be clear, what I mean is basically the speaker almost touching the wall. This still leaves about 30cm speaker depth as effective distance.Both speakers are as close to the rear wall as space allows. I think the messy 1-200hz range is a combination of the rear wall distance from the listener and the rear wall from the speakers.
Which Genelecs? SAM I assume?I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
- The Genelec's sound slightly brighter
- The Palmers have much better bass integration, and have a better 1-200hz in-room response due to the cardioid ports.
- The Genelec's get much louder without distortion.
- The cabient of the Palmers is completely dead thanks to the dual opposed woofers.
I am now strongly considering the investment on dual subs for the Genelec's vs the all-in-one Palmer solution.
8350a.Which Genelecs? SAM I assume?
I want to bring sound image width up again. This is not a feature of the speakers alone but also depends on the speaker angle relative to the listening position and the side walls.The Genelec's project a larger image. The soundstage is larger with the Genelec's vs closer with the Palmers. I felt the Palmer did not have much soundstage width but produced a more focused center image.
Oh the big boys. Nice.8350a.
It’s important that you, as an owner and someone who’s actually at the same time a big fan of the Orbit, say that. It’s great that there’s now a wider range of speakers with a cardioid pattern, but it’s not a feature that everyone needs or that’s equally suitable for everyone. It depends - like so often.I did not like the narrow image that was caused by cardioid dispersion characteristics of the speakers
Generally I agree with your statement. And we all know that many speakers sound great without cardioid dispersion. Plus there are various degrees of dispersion control and cardioid only cares about a relatively small frequency range anyways.It’s important that you, as an owner and someone who’s actually at the same time a big fan of the Orbit, say that. It’s great that there’s now a wider range of speakers with a cardioid pattern, but it’s not a feature that everyone needs or that’s equally suitable for everyone. It depends - like so often.
Time-domain nonsense coming from the usual suspects has nothing to do with legit engineers like Dunlavy.Since room correction like dirac can quite easily correct for this I would not give too much of a thought for „time domain“. It is mostly a marketing term that implies attributes like „attack“ and „better impulses“ which are misleading and dont have much to do woth phase linearity or a perfect impulse response.
Palmers midrange is not as clean as Geneles or less details , the dip at 1k~2kHz could be the reason. You may try to correct this with EQ.I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
- The Genelec's sound slightly brighter
- The Palmers have much better bass integration, and have a better 1-200hz in-room response due to the cardioid ports.
- The Genelec's get much louder without distortion.
- The cabient of the Palmers is completely dead thanks to the dual opposed woofers.
I am now strongly considering the investment on dual subs for the Genelec's vs the all-in-one Palmer solution.
That is true for frequency response. For impulse response you can as well correct for cross over phase nonlinearities via room correction.Dirac deals with the room and (should) have nothing to do with speaker correction (let alone building) , specially above the transition zone.
Some of us mix engineers work with sound-to-picture and need the headroom for loud short-term sections and peaks. Might be a 2-3 second section, or 30 seconds. Regardless, the speaker needs to be able to reproduce sufficient loudness above average level to accommodate for that.Serious question about the SPL: why, exactly, would anyone want nearfield monitors to get to 85+db? That will damage your hearing within hours.