Odd. So that nasty looking peak is the same at both levels? So not an overdrive? If it was from a “log sweep” (Farina’s method), harmonic distortion components would be excluded, so I guess that makes sense. But what an odd step response!
Actually not so much. If the time axis is scaled in the same way, others look similar:Odd. So that nasty looking peak is the same at both levels? So not an overdrive? If it was from a “log sweep” (Farina’s method), harmonic distortion components would be excluded, so I guess that makes sense. But what an odd step response!
The stuff out beyond 10ms is probably reflections. But what you're seeing with this is a typical well-executed minimum phase, 4th order L-W crossover 3-way (with port). A "perfect" step response requires sealed boxes and linearized phase response (be it via FIR DSP or cascading all-pass) or first-order acoustic crossovers.The period of the wiggles is about 0.25-0.3ms so falls in the 3-4kHz range. As I wrote before, the speaker can do over 106dB and over 100dB < 1% THD in that frequency range. Might be a reflection pattern or a resonance. But frequency response doesn't show resonances. So the former would be my best guess.
Some step responses are indeed hard to interprete:
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That's certainly a choice. Wonder why they did that?Actually not so much. If the time axis is scaled in the same way, others look similar:
Ascilab C8C (left) and Grimm LS1c (right).
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The main difference is that the Palmer seems to have linearised the 1.8kHz crossover but not the woofer-mid (250Hz) one.
All the polarity inversions up to 2ms are certainly not related to the port. Maybe caused by 4th order crossover tweeter to midrange. Not sure about that.The stuff out beyond 10ms is probably reflections. But what you're seeing with this is a typical well-executed minimum phase, 4th order L-W crossover 3-way (with port). A "perfect" step response requires sealed boxes and linearized phase response (be it via FIR DSP or cascading all-pass) or first-order acoustic crossovers.
That's certainly a choice. Wonder why they did that?
No, definitely not the port. The longer settle time is the port.All the polarity inversions up to 2ms are certainly not related to the port. Maybe caused by 4th order crossover tweeter to midrange. Not sure about that.
In this case the wiggles mark the transition between time-aligned tweeter (rising edge plus small peak), mid and bass-response.No, definitely not the port. The longer settle time is the port.
Compare it to the DD8C, which can be run fully linear phase and is a sealed box for the bass drivers (just an example, not using this because it's particularly comparable):
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Image courtesy Stereophile
FWIW, you don't need much delay at all to linearize the 250hz crossover - PSI manages it in analog with cascading APFs at 400hz, so we're talking on the order of ~3-4ms at 250hz.By not linearizing the low frequency phase Palmer avoided the delay seen in the ASCILAB C8C.
And they get away with a much shorter FIR filter.
Correct; it's minimum phase, not linear, so the delay from the XO filters causes that shape. Any properly designed 3-way with minimum phase crossovers will give a step function similar to that.The Neumann shows separate innitial excursion and back swing for all 3 drivers.
Yes makes sense. The large delay comes with the high-pass of the woofer.FWIW, you don't need much delay at all to linearize the 250hz crossover - PSI manages it in analog with cascading APFs at 400hz, so we're talking on the order of ~3-4ms at 250hz.
We're way off topic from the Orbit, but yes - shallower filters = less phase rotation = less group delay.Just to confirm, the Cadentia owes the much cleaner looking step response to 2nd order filters?
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What about dual subs with the Orbits?I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
- The Genelec's sound slightly brighter
- The Palmers have much better bass integration, and have a better 1-200hz in-room response due to the cardioid ports.
- The Genelec's get much louder without distortion.
- The cabient of the Palmers is completely dead thanks to the dual opposed woofers.
I am now strongly considering the investment on dual subs for the Genelec's vs the all-in-one Palmer solution.
thank you for the sharing! I am thinking about Palmers + sub for the best cost -performance.I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
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You're Comparing to Genelec 8350? I would expect an 8" driver in bass reflex enclosure should be quite close in output to the dual 8" of the Orbits. And the Genelec driver is probably higher quality to start with. Nevertheless, it's a 2-way system which will suffer IMD once playing high bass levels.I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
- The Genelec's sound slightly brighter
- The Palmers have much better bass integration, and have a better 1-200hz in-room response due to the cardioid ports.
- The Genelec's get much louder without distortion.
- The cabient of the Palmers is completely dead thanks to the dual opposed woofers.
I am now strongly considering the investment on dual subs for the Genelec's vs the all-in-one Palmer solution.
how about imaging and sound stage?I’ve had a little more time to listen back and forth between the Palmers and Genelecs. It’s a difficult one because both have positives and negatives:
- The Genelec's sound cleaner overall. Most music seems to have more clarity, I can hear into the mix rather than listening to it.
- The midrange on the Genelec's is noticeably cleaner.
- The Genelec's sound slightly brighter
- The Palmers have much better bass integration, and have a better 1-200hz in-room response due to the cardioid ports.
- The Genelec's get much louder without distortion.
- The cabient of the Palmers is completely dead thanks to the dual opposed woofers.
I am now strongly considering the investment on dual subs for the Genelec's vs the all-in-one Palmer solution.