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I hear you. But I want the best measuring system not the coolest sounding one. Measurements are apples to apples.It's a 2 way passive, apples and oranges
I hear you. But I want the best measuring system not the coolest sounding one. Measurements are apples to apples.It's a 2 way passive, apples and oranges
You do you, I want a small 3 way system, again use case sometimes is the most important aspect of a purchase decision.I hear you. But I want the best measuring system not the coolest sounding one. Measurements are apples to apples.
Not if you look at the spinorama, not by a long shot.Measurements are apples to apples.
Estimates for the Schroeder frequency in my living room are between 140 and 180 Hz. So with the Orbits, I have the region between 300 and ~ 160 Hz to worry about.Quite the contrary. As @thewas already implied, most so designated cardioid designs offer the advantage that the beamwidth control remains controlled down to (or well into) the modal range.
This ensures a spectral similarity between the direct and the reflected sounds in an area where we can most definitely perceive it. In the modal range it is the steady-state room response which dominates and it matters less if you plan on using a measurement microphone. For the Palmer it's quite easy now that we have the full anechoic data. For far field approach set the bass to -4dB on the on-board filters and you'll have an excellent starting point for further EQ.
Standard forward firing cone/dome systems more often than not feature an obvious step in the polar response, which is related to the baffle step. While not always obvious from the spinorama it can be perceived as coloration, especially for those that have to place speaker closer to sidewalls than ideal.
Estimates for the Schroeder frequency in my living room are between 140 and 180 Hz. So with the Orbits, I have the region between 300 and ~ 160 Hz to worry about.
Because you need an ultra quiet room. You can put the mic closer to the tweeter to compensate but then slight differences in distance creates error. And you have directivity issues to worry about. Even if you have measurements, interpreting by eye what is annoying/audible is not easy. For this reason, I use my ears and report on that.I think it’s time to clearly include self‑noise/hiss measurements in all powered monitor reviews. I honestly don’t understand why this isn’t already part of the standard test suite, just like SINAD and the rest of the usual metrics.
Thanks, Amir.Because you need an ultra quiet room. You can put the mic closer to the tweeter to compensate but then slight differences in distance creates error. And you have directivity issues to worry about. Even if you have measurements, interpreting by eye what is annoying/audible is not easy. For this reason, I use my ears and report on that.
It definitely looks like they can be with a dsp box and a sub.Are you still trying to convince yourselves this is living room hi-fi speakers!? You guys...
Plenty of better options for this but again I can’t find a better 3 way studio monitor in that price range.It definitely looks like they can be with a dsp box and a sub.
Or how little T60 is in his living room?geez .. how big is your living room?
I am going to be testing this and I plan to do REW measurements pre and post Dirac ARTI assume it is acceptable as a nearfield monitor but not for anything beyond that.
Probably better options but that's not what I was answering to. They definitely can be living room hifi speakers if you're ready for a bit of tweaking.Plenty of better options for this but again I can’t find a better 3 way studio monitor in that price range.