I received mine today and unfortunately they're going back.
First of all I must emphasize that everything I'm about to write is 100% subjective and I don't have any measurements to share, except that of my room which would be of no use and not fair towards the Orbits. Take everything I say with a grain of salt and a healthy pinch of scepticism. For context, my day gig is being the audio engineer of a concert hall and I also work as a freelance studio engineer. 99% of my freelance work these days is album mastering, for which I've been looking to upgrade my monitoring. I have owned quite a few monitors, including Focal Twins, Dynaudio BM15s and such, and
I've currently got a pair of Genelec 8030s with a Dynaudio 9S sub and Dirac room correction.
I work in a small-ish room of 13 square meters.
It's reasonably well treated, the positioning is meticulously calculated and measured and the frequency response is in the +/-5dB range with a pretty decent waterfall and RT60 graph. It's not perfect, but it's definitely good enough for critical work. The monitors are 1,6 meters away from me, so it's right between near and midfield.
I spent the morning listening to my current setup so I had it in fresh memory. I then
replaced the 8030s with the Orbits in the exact same positioning, disconnected the sub and turned off Dirac. The first thing I noticed was the ridiculous bass extension. It really is pretty remarkable for speakers this size, and without measuring I estimated they've got no trouble going to mid-20Hz very cleanly at around 82dB C slow which is on the top range of my normal working volume. The next good thing is the dispersion, they do handle it very well as expected. Now, to the bad. My first impression right after the Genelecs was that although the low end is on a completely different level, the Orbits are nowhere near as detailed and analytical. I really wanted to be blown away, but unfortunately not this time. At this point I fired up REW and took measurements. I got the best results with the rear wall compensation in the second position, and the measurements confirmed that they do go down to 24Hz without any struggle. If your room allows it and you use them mainly for music, you really don't need a sub with the Orbits, which is really impressive.
I then fired up Dirac, made the measurements, re-measured with REW, did my usual adjustments to the target curve (+1,5dB shelf below 100Hz, -0,5dB at 2,4kHz as that's what usually works for me) and gave them another chance. Unfortunately still not impressed. The clarity, punch and stereo image of the 8030s with a sub is just on another level for me. I can pinpoint problems way better with the small 8030's which is a must for my field of work. Spotting things like digital artifacts, distortion where it's unwanted and such is a major part of what I do. Weirdly enough, the Genelecs also excited me quite a bit more, which is usually on the contrary - the more analytical speakers being the less enjoyable to listen to. I spent some time going through my reference albums, after which I decided it wasn't worth the hassle to start integrating the sub into the setup, as the Orbits just weren't for me. I then packed them up somewhat beaten and put the Genelecs back up and checked the same albums just to make sure. Yeah, no question.
Don't get me wrong, I'm not saying they aren't good. They might be perfect for everyone else and measure really well, but after having had the pleasure of working on a lot of different setups from cheap cans to six figure line arrays, this once again reminded me of how personal the choice of monitors is. I'm a bit bummed that I didn't love the Orbits, but on the positive side I was glad to be reminded of how much punch the Genelecs pack for their size and price. Oh well, the search goes on, but for now I'm more than happy going back to my original setup!
PS. Regarding the orange ring, while it doesn't bother me, I think it would be rather hard to cover it completely with something 3D printed without getting in the way of the mid driver surrounds. It's tight.