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Palmer ORBIT 11 Cardioid Coaxial 3-way studio monitor (MSRP 799€/899$)

Can't see much to criticise with this FR .. it's far better than 90% of 100K$ 'issues'. And that or under 200 pounds...
 
That was meant expectative ... as is still now.
But the ASCI's now are done by Amir, maybe Palmer arrive soon ...
 
I tried to get an idea of these speakers, but to be honest, in 80 pages I've found 20-30 helpful posts about them, all diluted in a sea of noise.
And if we removed the exhausting controversy over the orange ring, this discussion would be half as long.
And please, if anyone asks something that could get buried in tons of other useless discussions, reply, "Just read before posting!"
For a modest sum of $6200 (anyone guess why that particular sum), I will create an "Executive Summary" for you.
 
There's a problem (maybe somehow) on Orbit 11 is that:
It can only provide 28Hz bass when you push it no higher than 84dB.
Anything beyond 84dB will cause it to lose low-end bass.
If you push it to 100dB (possibly not this high), the -3dB could be somewhere around 45Hz or 50Hz.
 
these tick every box for a hifi computer desk setup. I'm not surprised a lot of stores sold out. it's like an ls50 for 2026 but state of the art
 
There's a problem (maybe somehow) on Orbit 11 is that:
It can only provide 28Hz bass when you push it no higher than 84dB.
Anything beyond 84dB will cause it to lose low-end bass.
If you push it to 100dB (possibly not this high), the -3dB could be somewhere around 45Hz or 50Hz.
This is still enough for most music. Plus you get some room gain. They are basically on par with many medium sized floor standing speakers.
 
a problem (maybe somehow) on Orbit 11 is that:
It can only provide 28Hz bass when you push it no higher than 84dB.
Anything beyond 84dB will cause it to lose low-end bass.
I wouldn't consider this a problem. It's an expected and natural characteristic of such products.
Did you measure the frequency response at different levels? For example, in 10 dB increments. This would be instructive. The built-in limiter should protect the speakers from damage)).
 
It is recommended to mix at 79 to 85 dB spl max to stay within the zone where the ear is most linear (Fletcher–Munson curves). So, for me, Palmer has simply done a very good job designing the specifications for an afforable full-range professionnal nearfield monitor.
 
This is still enough for most music. Plus you get some room gain. They are basically on par with many medium sized floor standing speakers.
There's a problem (maybe somehow) on Orbit 11 is that:
It can only provide 28Hz bass when you push it no higher than 84dB.
Anything beyond 84dB will cause it to lose low-end bass.
If you push it to 100dB (possibly not this high), the -3dB could be somewhere around 45Hz or 50Hz.
yes one has to consider the levels such content are present in music , but to realy monitor sub bass you need subs .

Passive speakers does not have this protection they just get overdriven instead ? not better ?
Very few speakers are input agnostic ( that would be cool :) ) the max spl is limited at extremes or somewhere else .

I think these are nice o a desk or mixing consol ? I'm not a pro so i hope they are fine for them to ?
 
For music mixing, 28 hz extension is already mainly overkill, the B of a 5 strings bass is 31 hz (and rarely played), and the A0 of a grand piano is 27.5 hz (and mostly never played). As i often say, for mixing : a clean bass extension to 40 hz (the E string of a 4 string bass) will be enough for 99 % of relevant work .
 
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