While a retailer suggested that I try to avoid over 0 dBFS (try below -1.5 dBFS) on any RMS meter on MiniDSP Device Console for MiniDSP Flex Digital (with Dirac Live), the manufacturer MiniDSP wrote to me that over 0 dBFS is fine.
(By the way, in sine sweep, the Dirac Live filter (PEQ and Crossover off) gives the largest output somewhere in 100 - 300 Hz. It seems that it is due to the compensation for dips in the measurement locations. "Wide Imaging" was chosen.)
Below is what MiniDSP wrote. Is it correct?
"For the DSP to "lower" the gain based on a 0dBFS input + Processing = clipping, it's not going to work. Why because we/the DSP can't know what signal you're going to feed. e.g. 99% of content is for example -10dBFS, i.e. you're going to have lots of headroom even with more positive EQ. You only CLIP "based" on your the strengh of the input signal. Looking at the RMS meter with a realistic signal (i..e NOT a test tone at 0dBFS = completely unrealistic) is the way to start."
I think a 0 dBFS sine test signal should never be above 0 dBFS (indeed, I try it below -3.5 dBFS for the bad case: 0 dBFS 200 Hz square wave test signal, around 600Hz (the third harmonic that reduced the peak in source signal) is sharply reduced at some processing stage, then the output peak is over 0 dBFS).
I asked MiniDSP the 'digital headroom' of each processing stage in MiniDSP MiniDSP Flex Digital (with Dirac Live). (I mentioned, for example, the processing stage, input level control, has a control range from -12 dB to +12dB. Hence, that processing stage seems to have 12dB or more digital headroom.) MiniDSP did not answer this question. This is strange because I saw Benchmark or RME talking about digital headroom in their products. I do not think the (rough or exact) amount of digital headroom is a trade secret. MiniDSP mentions "lots of headroom even with more positive EQ" most of the time in music material.
(By the way, in sine sweep, the Dirac Live filter (PEQ and Crossover off) gives the largest output somewhere in 100 - 300 Hz. It seems that it is due to the compensation for dips in the measurement locations. "Wide Imaging" was chosen.)
Below is what MiniDSP wrote. Is it correct?
"For the DSP to "lower" the gain based on a 0dBFS input + Processing = clipping, it's not going to work. Why because we/the DSP can't know what signal you're going to feed. e.g. 99% of content is for example -10dBFS, i.e. you're going to have lots of headroom even with more positive EQ. You only CLIP "based" on your the strengh of the input signal. Looking at the RMS meter with a realistic signal (i..e NOT a test tone at 0dBFS = completely unrealistic) is the way to start."
I think a 0 dBFS sine test signal should never be above 0 dBFS (indeed, I try it below -3.5 dBFS for the bad case: 0 dBFS 200 Hz square wave test signal, around 600Hz (the third harmonic that reduced the peak in source signal) is sharply reduced at some processing stage, then the output peak is over 0 dBFS).
I asked MiniDSP the 'digital headroom' of each processing stage in MiniDSP MiniDSP Flex Digital (with Dirac Live). (I mentioned, for example, the processing stage, input level control, has a control range from -12 dB to +12dB. Hence, that processing stage seems to have 12dB or more digital headroom.) MiniDSP did not answer this question. This is strange because I saw Benchmark or RME talking about digital headroom in their products. I do not think the (rough or exact) amount of digital headroom is a trade secret. MiniDSP mentions "lots of headroom even with more positive EQ" most of the time in music material.