The 27.642 gain of the 2220 is nearly identical to the 27.859 gain of the 2200.Someone asked about the gain. It is always in the dashboard:
As you see, it is 27.6 dB which is a bit lower than nominal 29 dB.
The 27.642 gain of the 2220 is nearly identical to the 27.859 gain of the 2200.Someone asked about the gain. It is always in the dashboard:
As you see, it is 27.6 dB which is a bit lower than nominal 29 dB.
I have to stop writing stuff before my first coffee of the day.Buy 2 and save $99. Buy 3 and save $198.
Brother.Yes, IMO it's worth comparing the Outlaw with Hypex-based amps from Audiophonics in particular. Apart from performance, efficiency also needs considering these days. We've got huge energy price rises coming our way on top of a need to reduce our carbon footprint.
<https://www.audiophonics.fr/en/amplifier-audiophonics-workshop-c-6421.html>
When was crosstalk an actual issue ? I can't imagine putting an amp near each speaker, that would look like one of those silly "audiophile" rooms with little stands for each amp and massive cables on little risers and all that....Yes but no cross talk, better cooling @ high power, can be located closer to the speakers, and they look cool.
Drop them a note to see if they would send one in for review.It would be cool if we could, somehow, get a review of Outlaws RR2160 MKII receiver.
same wish hereGood results here. I would love to see the Outlaw RR2160 stereo reciever tested. I've been looking at one for a long time now. Good review on Stereophile, I'd like to see what the test here show.
The reason I went for three Outlaws rather than a Monoprice was simple: Weight. After hernia surgeries its much easier for me to lift three Outlaws into position on my rack than risk it lifting a 57 pound box into position. Also the three Outlaws cost $999, the three channel Monoprice $1,299. Both before shipping. It would be interesting to test one of their Monolith amps to see how they do.Monoprice about same price per channel.
I have a Linn C4400 and Niles SI-275 that works this way. Selectivity varies from manufacturer to manufacturer. Thankfully the Linn, despite having no 12V trigger has a very sensitive signal sense and soft power on. You don't even notice it, no relays clicking or audio pop. The Niles on the other hand has relay noise, but otherwise a smooth operator. If the Outlaw signal sense behaves within the envelope of either of those they should be fine despite no power switch on the front of the unit.It has a music setting for auto-on as well.
The circuit uses 6 stages. Up to 80 watts, it is Class A/B, and above 80 watts, the amplifier switches (in 2 microseconds) to Class G (digital switching amplification). The combination of Class A/B and Class G in one amplifier is a little out of the ordinary.
I am not an EE, so I'll defer.
Do you agree that the 5 watt multi-tone test is not going to expose the harmonic distortions that may be occurring when the amp switches rails?
- Rich
Since with normal music dynamics, the RMS power is rarely above 5watts broadband.I wonder how long it takes for the rails to settle after switching? If longer than the sweep's dwell time, that large spike might go down after a short time. However, this highlights one of the big issues with class G, what happens during the transition. That said, while it looks ugly, in reality 100+ W at >10 kHz will probably be inaudible because (a) we are less sensitive that high, (b) it is very unlikely any real source would require full-power output that high, and (c) if it was required, most likely any tweeter fed 100+ W would be destroyed, leading to no distortion (or anything else) being heard.
The Outlaw 2200 (previous model) and the Niles were about the same, as are the Parasound amps I've owned. Light "click" and then sound a second later.I have a Linn C4400 and Niles SI-275 that works this way. Selectivity varies from manufacturer to manufacturer. Thankfully the Linn, despite having no 12V trigger has a very sensitive signal sense and soft power on. You don't even notice it, no relays clicking or audio pop. The Niles on the other hand has relay noise, but otherwise a smooth operator. If the Outlaw signal sense behaves within the envelope of either of those they should be fine despite no power switch on the front of the unit.
I'm quite fond of the Linn's soft start feature. If I start playing music it doesn't miss anything. It wakes up immediately. When I first bought it I didn't realize it had this feature.The Outlaw 2200 (previous model) and the Niles were about the same, as are the Parasound amps I've owned. Light "click" and then sound a second later.
My Sonance 100-2 amps on the other hand, make you wait 10-12 seconds from when you hear the relay to when actual sound starts. I have no idea why they programmed the delay this much. I know it's a first world problem though...