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Oppenheimer

For three hours filled with mostly people talking, I was bored ...
Uhm, thats' mostly what Physics research IS.
As an AMEP (Advanced Math Enginering Physics, a hybrid major, w no liberal arts requts:)) undergrad, one of my professors was from one of the colleges in Austria (or was it Germany) and spent some of his war years on the manhattan project, tho it wasn't easy to get him to talk about it.
It sounded to me like lots of scheduled and ad-hoc meetings, and lots and LOTS of discussions, with lots of trial machining/fabrication work (at that time, 'regular' machinists and tool/die types were common in the field, lots of glass blowing, too, IIRC).
Not that it was that much different in my day - I worked as an hourly in the high energy physics electronics and machine shops, both of which were humming due to DOE funding for (FermiLab) experiments.

Of that austrian professor, by the way - two things I recall:
- He had an irritating habit of not writing down his math proofs/derivations on the black board, which frequently took odd leaps that were not self evident. One student asked him to write more down, to which he nodded, and said 'it's as obvious as 1+1=2" then turned around, and wrote "1+1=2" on the blackboard.
(Please check me on this, I'm not 100% sure whether this happened, or I read it somewhere, but he was a very fast talker, with a thick accent, and so very easily could have been....just checked my library, might have been from the book on V. Weiskopf, "The Joy of Insight", who reminded me a LOT of that professor.)
- He did (I'm certain of this) come up to me after I'd mentioned my concern about physics being too 'mystical' (this was at the time of The Dancing Wu Li Masters type books), and rather pithfully ? said "You should consider working in material science; there are amazing things going on in that field". This was like 1971 or 72? Like an idiot, I did NOT take his advice.

One of my favorite books is J.Robert Oppenheimer, American Prometheus, by Bird and Sherwin - highly recommended, and gives what I thought was a darned good characterization of the pitter patter chitter chatter of the types of discussions involved, but also the minutae like Feynmans' young pranks poking fun at the 'secure' combination locks on safes. Humor and physics, to me, always seemed to go together quite well:) tho few others agreed (at the time, anyway).
I also read through most of the transcripts of the (HUAC) testimony "In the Matter of J. Robert Oppenheimer" 1971, US AEC. Thoroughly disgusting.

That whole time was an era of astounding discoveries and new understandings in math, phsyics, and machining/fabrication technologies (call it material science:)- and, given human frailties, esp under such wartime conditions, should probably not be judged too harshly. What happened after, however, is fair game.

I can wait for the DVD to come out for this movie, I think.
 
Then again, this is the kind of arthouse cinema that attracts a certain kind of movie nerds so getting to look in the projectionists cabin afterwards was really cool.
An arthouse cinema has 70 mm film projection capability.
Cool.

;)
 
Well what can I say. I am not a sourpuss. If I hadn't watched so many documentaries on Oppenheimer and Trinity, I would have stuck it out. The movie jumped back too much from 1945 to the present so I found it difficult to determine what time-space we were in.

I think a 'just under 3 hour' movie is a little long. A good director could have got the production done in 2 hours.

Communism was a central theme in the movies, thanks to McCarthyism, but I felt the director and writers could have concentrated more on the project and less on the politics.

No complaints
 
- He did (I'm certain of this) come up to me after I'd mentioned my concern about physics being too 'mystical' (this was at the time of The Dancing Wu Li Masters type books), and rather pithfully ? said "You should consider working in material science; there are amazing things going on in that field". This was like 1971 or 72? Like an idiot, I did NOT take his advice.
Advice about material science? Amazing things going on in that field? If you were to sum it all up in one word, would that be...

One-Word-Plastics.jpg


Plastics?
 
I think it's a decent movie for going through the events. My biggest complaint is still Robert Downey jr and Matt Damon. RDJ feels he's acting as him or Iron man rather than who he is supposed to be acting as, and similar for Matt Damon.
 
I watched it on IMAX 70mm at a midnight screening, and it was well worth it. Besides it’s stunning cinematography and sound, also really liked dialogs, plot, character development etc. The score was also quite good IMO, definitely better than most Zimmer stuff (whose music I find uninteresting except for Dune).
 
I think it's a decent movie for going through the events. My biggest complaint is still Robert Downey jr and Matt Damon. RDJ feels he's acting as him or Iron man rather than who he is supposed to be acting as, and similar for Matt Damon.
Haven't seen it yet. In trailers, Matt Damon seemed like he was still playing Caroll Shelby or something. Not his best work in those trailers.
 
Bunch of sourpusses here but to each their own. I watched the 70mm film version last weekend and enjoyed it a lot. It's just 3 hours of constantly building tension but luckily my theatre had an intermission halfway through. The 70mm version is sold out in my little theatre for the next couple of weeks, with people coming in from all over the country.

Then again, this is the kind of arthouse cinema that attracts a certain kind of movie nerds so getting to look in the projectionists cabin afterwards was really cool.

I'm glad to see the movie passed the $650 million global box office line a couple of days ago. That means we get more Christopher Nolan movies in the future.

I'll definitely buy it when it comes out on 4k Blu-Ray.



Here is some Interstellar Main theme cover on marimba:
Great- people from all over the country come to watch the grain aka generation loss. This is how it was in the analog days: Camera negative - dub positive for color correction - corrected negative - dub master positive - submaster negatives for mass copies - Cinema prints - this is SEVEN generations.
At least with Oppenheimer, it should be three, assuming they do not print directly from the digital realm to the cinema copy: Camera negative - Digital Intermediate for color correction - master negative - cinema copies.
Rule of thumb is that the IMAX camera negative (not the final cinema copy) equals about 18k with slow film stock.
But with every generation the loss in resolution rises.
So you might even be better off watching it digital, 4k it the upper limit for a DCP.
 
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