Despite you being dismissve of other members further down the thread, I'll try to explain where you are mistaken. You seem to have a basic understanding of concepts in electric circuits, but in this post, you're randomly mixing things up and combining concepts which are just not compatible. Let's start:
Listen, perhaps measurements -which are really helpful and make us to understand what's happening - doesn't draw what's happening with current and impedance, but obviously when a audio circuit is full discrete, the internal conductors , capacitors, transistors, inductors, etc has more conductivity because larger gauge and less resistance which obviously translate into better current delivery and lower output impedance even in class-D Output like in discretes Purifi or Hypex has way more power, lower output impedance than other also class-D amp but chip-based like the other way great TI TPA3255 PFFB which also sounds great but obviously has a limitation in terms of absolutely lowest output impedance (conductivity current),
Current driving capability in modern high power semiconductor devices is almost never limited by "gauge" anymore. The devices operate at the limit of their cooling capability due to
their power density. You literally cannot get the heat away from the chip fast enough anymore. The main driver of heat in semiconductor components is switching losses in transistors - something extremely relevant for class D amps.
Output impedance is a measured value which is mostly relevant because a high and/or frequency dependant output impedance would alter the frequency rersponse of your speaker drivers. Amplifier output impedance does not limit the current flow in the classic "analog" way you think. The
output impedance of a 1ET6525SA module is 30 µΩ, which would allow it to provide 140 MW at 65 V - clearly, not something that is possible. Your speaker has 4 Ω, maybe 2 Ω at the lowest impedance dip. That is the limiting factor for current flow in an audio system.
which translates in better dynamics with normal low sensitivity low impedance speakers.
It does not. If the amplifier is able to provide enough power not to clip and can reproduce the audible range (typically assumed to be 20 Hz - 20 kHz, but a couple of Hz more or less are not relevant here) without a drop in its frequency response, it has all the "dynamics" it can have. The upper frequency of that range at 20 kHz contains the steepest slope the amplifier will ever have to reproduce.
With Op-amp happens the same, discrete means more conductivity way more which translates into better dynamics with low impedance low sensitivity internal circuits around.
As explained above, the output impedance of the amp itself is already not the critical value. For op amps, however, impedance is even more irrelevant. The op amp is not driving the speaker directly. It has to deliver the tiny mA-level current it is designed for in its specific circuit and that's it. Unless the amp designer majorly fucked up, the current driving ability of the op amp is never a limit for the amplifier power in its specced power and frequency range.
And if that Op-amp is also real class-A like the one Australian or American brand mentioned in this page, you also have that transistors higher temperature which translates into a subjectively warmer sound like happens in absurdly big absurdly heavy absurdly high current consumption all pure class A amplifiers/tube amplifier but with just , according chatgpt, only one watt of power consumption and only 10grams more of weight.
Things don't sound warmer because they are hotter. Do you sound orange if you eat an orange?
Semiconductor devices like transistors or op amps have fixed spec ranges, including an operating temperature range. Within that temperature range, they operate 100% within spec unless the individual device is defective. The ciruit designer of the amp used those spec ranges to select the right op amp for the application, meaning everything works as designed in the expected temperature range of the amplifier.
You get the "passlabs class-A warm sound" in your efficient, small, cheap, cool at touch, low output impedance, big output power, high SINAD class-D rig which is amazing and one of best things happened to budget hi-fi and budget studio audio since transformer-volume-control line-preamps.
There's no "class-A sound". The job of an amplifier is to amplify and do nothing else - especially not colour the sound in any way. Unless the amp is badly designed or broken, it should have no sound at all. Otherwise, it would be doing a bad job.
There's definitely tube amps which have so much distortion that they sound different. If you are looking for that, get one of those. They are fun to look at and cozy in the winter.