@Cosmik , I think you are off in your understanding of the narrative, stories and science. Are you talking about the «hard» sciences only, or the «soft» ones too? Hey! What is really soft and what is hard?
In audio we often talk about «colour». That’s a practical analogy to tell a complex story. In my view.
One of my favorite social scientists is Danish Oxford professor Bent Flyvbjerg. Let me quote one of his recent comments:
«ON GOOD AND BAD STORYTELLING IN SOCIAL SCIENCE
'Paul Krugman dismisses Hirschman as a “novelist” who “seduces people” by the “richness of plain English” (Krugman 1994: 287; Rodwin 1994: 11). This is a harsh assessment, and it has been countered by Tendler (1994: 289), who maintains that “Hirschman is more than a ‘storyteller’.” Rodwin (1994: 11) has similarly, and rightly, identified Krugman’s critique as self-defeating, because Krugman employs extensive storytelling to argue his point; in effect using storytelling to reject storytelling, which does not hold up in the court of methodological consistency, needless to say. But Krugman’s and Tendler’s viewpoints are both based on the false assumption that “storytelling” is a second-rate methodology in social science. To many, however, storytelling, or narrative, is one of the most powerful methods in the toolbox of social scientists, which is why even Krugman uses it, when it really counts. Witness the fact that many of the most treasured classics in each social science discipline are based on storytelling (Flyvbjerg 2001, 2011). But storytelling is just one method among many, and it may be done well or less well, like other methods. The problem with Hirschman is not storytelling as such; the problem is bad storytelling. If Hirschman had honored normal social science standards for validity and reliability in sampling, data collection, and analysis, he would have produced a valid and reliable narrative about his observations. Instead he violated basic rules of research and, as a consequence, produced an invalid and unreliable study. To this extent Krugman’s critique is justified. But this has nothing to do with storytelling, even if Hirschman’s is the type of work that gives storytelling a bad name. Instead it has everything to do with garbage-in- garbage-out, which applies to any methodology.'»
So Flyvbjerg introduces the distinction of «bad storytelling» from storytelling as one method among many others.
Flyvbjerg is a strong advocate for «phronesis». Everyone should look up what he’s written about it (Wikipedia is shallow). His point is: It’s complicated and only training makes a fine scientist, a master of practical wisdom.