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NY City Audio Equipment Museum Exhibition & Demonstration System

Joe BKNY

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Jun 28, 2021
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Now through August 16th, the Cooper-Hewitt Museum in NYC is running "The Art of Noise", and exhibition includes concert posters, record albums, phonographs to digital music players, and handheld radios to sound systems. Here's a link: The Art of Noise The emphasis is on covering the very wide range of sound reproduction devices/systems, and on striking looking gear.

At least when I was there, none of the those things were turned on - with one very large exception that I think ASR participants will be particularly interested in (or reactive to) - what is called the HiFi Pursuit Listening Room Dream No. 3, a "large-scale, handmade, audio system by multi-disciplinary artist Devon Turnbull", who (among other pursuits apparently) manufactures and sells audio equipment under the name OJAS.

Here's a glimpse of the demonstration audio system:

IMG_5835.JPG


I familiar enough with ASR to know that others here will have opinions based on what can be seen of this system. I and a friend spent almost an hour listening to a playlist (presumably digital, from an unknown source) and an album. I enjoyed the experience, and found the sound impressive & life-like - BUT I have almost no previous experience listening to top quality sound systems. Compared to my own, older, middle of the road system, one thing that struck me was that the sound seemed...large. My friend, who has much more experience, was impressed.

This is a quote from an information panel that accompanies the system: "Turnbull’s custom-built system consists of alnico and beryllium compression drivers on brass and steel horns; alnico and paper woofers in plywood enclosures; alnico and beryllium super tweeters; auto former-based crossovers; lacquered, cotton-covered, copper speaker wire; tube amplifiers; autoformer volume control; tube phono preamplifiers; custom-built turntables; and phono cartridges".
 
His setup is more an artpiece than a technical device. He is using old obsolete tech, but seems to build them well and make it sound decent. I don't mind this, i do mind is quiet bad commercial endavours where he sells speaker from cheap parts that are not good for a very inflated price with a lot of hipster hype arround it. But this setup in the picture is clearly build for visual appearance, and by accident it seems also to sound quiet good.
 
If this system sounds good, its by accident. IDK if Devon decided to learn actual speaker design, but his bookshelf kit and various mods for it show he basically knows nothing.
 
Now through August 16th, the Cooper-Hewitt Museum in NYC is running "The Art of Noise", and exhibition includes concert posters, record albums, phonographs to digital music players, and handheld radios to sound systems. Here's a link: The Art of Noise The emphasis is on covering the very wide range of sound reproduction devices/systems, and on striking looking gear.

At least when I was there, none of the those things were turned on - with one very large exception that I think ASR participants will be particularly interested in (or reactive to) - what is called the HiFi Pursuit Listening Room Dream No. 3, a "large-scale, handmade, audio system by multi-disciplinary artist Devon Turnbull", who (among other pursuits apparently) manufactures and sells audio equipment under the name OJAS.

Here's a glimpse of the demonstration audio system:

View attachment 530428

I familiar enough with ASR to know that others here will have opinions based on what can be seen of this system. I and a friend spent almost an hour listening to a playlist (presumably digital, from an unknown source) and an album. I enjoyed the experience, and found the sound impressive & life-like - BUT I have almost no previous experience listening to top quality sound systems. Compared to my own, older, middle of the road system, one thing that struck me was that the sound seemed...large. My friend, who has much more experience, was impressed.

This is a quote from an information panel that accompanies the system: "Turnbull’s custom-built system consists of alnico and beryllium compression drivers on brass and steel horns; alnico and paper woofers in plywood enclosures; alnico and beryllium super tweeters; auto former-based crossovers; lacquered, cotton-covered, copper speaker wire; tube amplifiers; autoformer volume control; tube phono preamplifiers; custom-built turntables; and phono cartridges".
No thanks.
 
I went to a similar show at the SF MOMA and I found it pretty enjoyable but it didn't change my life, as it apparently did for some people. I got a good seat and got to listen for a bit - that system wasn't bad but it wasn't perfect either, I thought it had some shortcomings.

I will say it sounded a lot better than most stuff I've heard at audio shows like Axpona or CES.

I think Turnbull is not a bad speaker designer, he's just really interested in vintage designs and aesthetics more than pushing the SOTA envelope of performance. From the few quotes / interviews I've seen of his, he doesn't seem to be an anti-science crank or anything.

It's kind of too bad that they don't include a "modern" speaker room alongside the vintage-styled one at these shows, but one can't deny the aesthetic impact of big horns and stuff. You could probably wow people more with a pair of JBL M2s, but it would look more like the AV guy left them behind by accident, than an art exhibit.
 
I went to a similar show at the SF MOMA and I found it pretty enjoyable but it didn't change my life, as it apparently did for some people. I got a good seat and got to listen for a bit - that system wasn't bad but it wasn't perfect either, I thought it had some shortcomings.

I will say it sounded a lot better than most stuff I've heard at audio shows like Axpona or CES.

I think Turnbull is not a bad speaker designer, he's just really interested in vintage designs and aesthetics more than pushing the SOTA envelope of performance. From the few quotes / interviews I've seen of his, he doesn't seem to be an anti-science crank or anything.

It's kind of too bad that they don't include a "modern" speaker room alongside the vintage-styled one at these shows, but one can't deny the aesthetic impact of big horns and stuff. You could probably wow people more with a pair of JBL M2s, but it would look more like the AV guy left them behind by accident, than an art exhibit.

I think he is bad. His bookshelf is a in ceiling driver with stock xover, so when he put it in a box it has a ton of losses due to no baffle step correction.

He has an "upgrade" where you can pull the jbl drivers coax and out it in horn, moving it on top of the box. All the while, he changes nothing in the crossover. All this for a mere $6,000. Dudes a joke.
 
Crap, I just returned from a week in NYC and missed this!
 
... Hopefully that will be Gossypium barbadense
ie. SOTA Egyptian cotton.

A true retro audiophile should consider nothing less.

(Presumably using a natural fiber like this helps to preserve the anologue warmth of the sound.
Kinda like a sheet would. Perhaps.)
 
Be a bit scary if the internal wiring of those amplifiers were similarly cotton covered.
Oof.
 
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I think he is bad. His bookshelf is a in ceiling driver with stock xover, so when he put it in a box it has a ton of losses due to no baffle step correction.

He has an "upgrade" where you can pull the jbl drivers coax and out it in horn, moving it on top of the box. All the while, he changes nothing in the crossover. All this for a mere $6,000. Dudes a joke.
I'm not saying his speakers are worth it, they're overpriced decor at best. I just don't think he actually believes the vintage-fetish stuff he is involved with actually performs better. He's basically a fashion designer that happens to make speakers instead of $900 tennis shoes, but that doesn't make him an enemy of science like some people in the industry.

Of course I haven't looked into him all that much so I could easily be wrong. I just get the impression that his entire involvement with audio is aesthetic first without as much agenda toward audio as it looks.

Give him some credit though... He's trying to make super cheap DIY speakers made out of unfinished plywood cool again. If he succeeds we can all easily have cool speakers in one weekend.
Possibly in a better acoustic space than typical rooms at shows?
I think so, but it wasn't fully treated either, the bass was all over the place as you walked the room.
 
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Most people sitting in that room, who don’t know or care much about speaker design, will think it sounds wonderful. And if you are sitting in that room listening to music, and you are thinking about how they measure, you are doing it wrong.
 
My major objection was the program content. Lots of (but not all) obscure stuff and very little that I could relate to.
 
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