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Nice turntables. Attached picture is an absolute requirement.

Rega has a few collaborations like that. Exposure comes to mind.
Aha, :)

In any case, Orange has a well-deserved place in rock history.

Some of the world's greatest rock icons, including Jimmy Page, Stevie Wonder, James Brown, Fleetwood Mac, Oasis, Madonna, Jim Root and Geddy Lee are proud to be Orange Amps customers and rely upon their unique tone and superior engineering on stage...


Here's a video about the company and their amplifiers. For example, in the video, Rick Beato talks about some models and their features.

 
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Aha, :)

In any case, Orange has a well-deserved place in rock history.

Some of the world's greatest rock icons, including Jimmy Page, Stevie Wonder, James Brown, Fleetwood Mac, Oasis, Madonna, Jim Root and Geddy Lee are proud to be Orange Amps customers and rely upon their unique tone and superior engineering on stage...


Here's a video about the company and their amplifiers. For example, in the video, Rick Beato talks about some models and their features.

Awesome!
 
I’ve had many turntables over the years. The majority being vintage Thorens, which are easy to come by in Sweden, where I live. They are electronically and mechanically quite easy to restore, and also look very nice imo.

But the best looking table I’ve owned (and still do) has to be this 1979 direct-drive Hitachi HT-840 that I acquired only a couple of years ago. While not the quietest nor the most accurately running in terms of speed and w&f, it is still decent in all those aspects, with a really nice tonearm that tracks superbly, and a quartz lock function. But it was the looks that sealed the deal for me. :)

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Here are some beautiful turntables IMO.

One of the reasons I really like turntables is I find them so much more interesting looking and attractive than the average black box DAC.

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Tempted by this one at the moment, just for looks!
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Some of these are beautiful, but seem too precious, especially given the industrial eclecticism of the rest of my equipment.

Rick “happy with a clean utilitarian look” Denney
Mine doesn't even reach that level.

Newman "industrial eclecticism would be an upgrade" Newman!!
 
I like versions of minimalism, but I’m never really happy with utilitarian. Perhaps it has to do with my own connotations in regard to that word, but “ utilitarian” to me connotes something made in a way that indicates it was made without any care to how it looks or feels - based strictly on how it does his job…f*ck any of that touchy feely stuff the actual human might want out of it :-)

And I also associate a sort of industrial or pro aesthetic - like big pro solid state amplifiers with ugly jagged heat sinks that are unkind to human skin, and big handles - just a total turn off. The equivalent to me of exposed plumbing.

The turntables I posted evoke to me the type of “ pride of craftsmanship” one sees in sometimes surprising areas, for instance in early TV or audio consoles, or mid-century designs, the kind of thing where it looks like somebody actually cared how something looking and felt when they didn’t really need to, and it elevates the object.
 
Something in the Kitchen?
Not sure about kitchen things, typically \we grill on our patio.
But: Indoor kitchen cooking falls to my wife.
Yes, I believe these were commonly called the 'biscuit tin' model.
 
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A thread about a portable player made me walk down memory lane this morning. After college my roommate and friend since childhood went to work for a patent company. Since I was into vinyl still and buying at heavy discounts at that time (end of the 90’s early 00’s) he figured I would like a couple of the latest gig he had at that time.

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I have a red and white one somewhere too. It’s funny the boxes were just plain white that I got but I dug a little today and it did get produced.

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Seem to bring decent money now as a collectible for what it is in essence. I found a vid of some Jefferson Airplane :cool:


ETA: I’m googling more and I see the Soundwagons were from the 70’s. I wonder now what role they played in his job, I had always assumed they were the product but maybe they were used for infringement study. Now I wonder more about the plain boxes, my friend passed so I’ll never know I guess.
 
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A thread about a portable player made me walk down memory lane this morning. After college my roommate and friend since childhood went to work for a patent company. Since I was into vinyl still and buying at heavy discounts at that time (end of the 90’s early 00’s) he figured I would like a couple of the latest gig he had at that time.

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I have a red and white one somewhere too. It’s funny the boxes were just plain white that I got but I dug a little today and it did get produced.

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Seem to bring decent money now as a collectible for what it is in essence. I found a vid of some Jefferson Airplane :cool:


ETA: I’m googling more and I see the Soundwagons were from the 70’s. I wonder now what role they played in his job, I had always assumed they were the product but maybe they were used for infringement study. Now I wonder more about the plain boxes, my friend passed so I’ll never know I guess.
If only the antenna could output to Bluetooth or WiFi...
 
Tempted by this one at the moment, just for looks!
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AAAAAHHHHH!!!!!

Not a fan of that one, but the pukka-plinthed II/900 was a delight I remember - and it's still made with tweaks and a VERY high price for Audio Note still...

My current avatar has me going as I love this old tractor of a turntable, which is rumble-quieter than you'd think and has an arm quite capable for modern cartridges too if the auto trip is set up just right - Cork mat on top of the original gets the arm more level with single LPs. There's numerous videos showing the clunky, clicky 'tractor mechanism, yet the stylus is handled very gently and better than the first decks that replaced it (SL75/95/AP75). This one will see any grandkids I have out it's so solidly made -

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I've mentioned a couple of times that an old friend of mine had troubles with his Linn Axis and has replaced it with a Linn LP12 Majik. He bought the Axis new in 1988 (according to the inspector sticker on the PCB, when I had it apart). His usual high-end stereo shop "couldn't" repair it (read: they knew he'd buy a new one if they "couldn't"). So, he gave it to me, using the Friends On Vacation delivery technique to get it from Texas to Virginia. I picked it up yesterday (and had a lovely afternoon with said friends).

I had already investigated the possible causes of the problems he was having--the motor control board would not maintain the correct speed--and had prepared by buying a bag full of replacement capacitors, etc. So, yesterday evening, I worked on it. After testing and confirming that the speeds were variable and very slow, and that it was unrelated to the belt, which was not slipping at all, I pulled the PCB and replaced all the electrolytic capacitors on the board.

One key design fault of the Axis was that the control board is always powered, and for no particular reason. But because the power supply is doing quite a bit of regulating, it gets hot and those caps just sit there and bake. A whole swathe of the PCB was darkened from heat. Solution: Put the turntable on a freaking power switch, fer cryin' out loud. I'll plug mine into the switched outlet on the back of the Holman Preamp.

Two of the larger bulk capacitors were toast--one was open and the other showed about 20% rated capacitance plus ESR about ten times higher than it should have been. Of the 8 or so smaller electrolytics, half were well out of spec. Only one did not show elevated ESR. So, unlike a lot of prophylactic capacitor replacements that accomplish little, these really did need replacing. The reinstalled control board now works perfectly, though I may still tweak the speed slightly.

The turntable came with a Basik Plus tonearm, which was an improved version of the original Basik. The improvements included a fixed head shell, better bearings, and (apparently) a higher price tag. When he bought the turntable, he bought a K9 cartridge to go with it, which was a rebadged and reportedly hot-rodded Audio Technica AT95. But he must have replaced the cartridge at some point--it now sports an Adikt, which is apparently a rebadged improved (?) Goldring 1000-series.

So, is this an improvement over my restored Thorens TD166II? Probably, but it was a lot easier to manufacture. The Thorens has a fixed top plate with a floating steel sub-chassis that houses the main platter bearing and the tonearm and is suspended on three steel springs. The motor is mounted to the plinth, and is a 16VAC synchronous motor that derives its speed from service power frequency. It uses a derailleur to change the belt on a stepped motor pulley to change speeds. The cueing it built into the plinth with a bowden cable to the lift. The Axis mounted the platter bearing and the tonearm on the main top plate, which is suspended separately from the plinth using three elastomeric shock mounts which also serve as the feet. I think it's probably a toss-up as to which would be the more effective, and probably the floating spring suspension is better in come cases and not as good in others. But the Axis is most assuredly suspended. The motor is mounted on the motor control board which is fastened to the bottom floor of the plinth. The top plate is a thick piece of some heavy composite material, so there's no separate steel sub-chassis as with the Thorens.

Where the Axis is much more sophisticated than the Thorens is in motor control. The Axis starts the platter with high voltage and once speed stabilizes it drops the motor voltage down to just enough to keep it idling at speed. This means the motor is putting out much less EM field when running. This was the forerunner, supposedly, of the Lingo power supply for the LP12. The problem was that the control board kept dropping the voltage too much and the platter was repeatedly stalling. It was not the bearing, which is smooth as glass (and which is the same bearing as was used by the LP12 Sondek).

(Pics on the bench, and before I finished wiping old dust off of it.)

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And, as a bonus, my friend also sent me the turntable he had before the Linn Axis, a Yamaha YP-D6 which is direct-drive and seems to work. I need to service the auto-return mechanism which is, I'm sure, glued together with gummy old grease. Once back in a state of good repair, it will be finding a new home.

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Rick "too many turntables" Denney
 
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