Playing duration. Not all LP releases are on multiple discs. Does this mean fewer tracks on the LP(vs CD), lower dynamic range to fit more tracks on the vinyl or the CD short-changing in playing time(content)?
If we can use history as a guide, they'll probably short change the CD in some manner like less tracks.Playing duration. Not all LP releases are on multiple discs. Does this mean fewer tracks on the LP(vs CD), lower dynamic range to fit more tracks on the vinyl or the CD short-changing in playing time(content)?
Depends on the actual release.Playing duration. Not all LP releases are on multiple discs. Does this mean fewer tracks on the LP(vs CD), lower dynamic range to fit more tracks on the vinyl or the CD short-changing in playing time(content)?
Why use history as a guide? Most new releases that come in both formats usually give you all the info up front.If we can use history as a guide, they'll probably short change the CD in some manner like less tracks.
We've seen this trend in dynamic range where the LP releases measure a higher DR than the CD, when with the given technology the practice should be the exact opposite?
Playing duration. Not all LP releases are on multiple discs. Does this mean fewer tracks on the LP(vs CD), lower dynamic range to fit more tracks on the vinyl or the CD short-changing in playing time(content)?
If we can use history as a guide, they'll probably short change the CD in some manner like less tracks.
We've seen this trend in dynamic range where the LP releases measure a higher DR than the CD, when with the given technology the practice should be the exact opposite?
Because without a crystal ball, history is all we can make definitive conclusions about.Why use history as a guide? Most new releases that come in both formats usually give you all the info up front.
One of my favorite examples is Jackson Browne's Running On Empty. The comparison between the 1977 vinyl release and the 2005 HDTracks 24/96 FLAC download.Why use history as a guide? Most new releases that come in both formats usually give you all the info up front.
research works much better than crystal balls. Actually asking the people who produce these LPs and CDs is amazingly effective. I am not so worried about measured DR. Just about everyone I ask will tell me what source material was used and what sort of processing went into mastering. Some mastering engineers like to keep a few specific things proprietary but will generally give me plenty of info. It's really easy to ask if there was compression added or limiting or EQ.Because without a crystal ball, history is all we can make definitive conclusions about.
BTW, who's giving you any information on the releases DR? Only sources I know of offhand for that info is "after the fact, IE History" the Dynamic Range Database, a user info database built by the consumers after the fact.
LOL, Glad you have the luxury of the "inside scoop", few of us can just call up the engineer and ask questions on his production.research works much better than crystal balls. Actually asking the people who produce these LPs and CDs is amazingly effective. I am not so worried about measured DR. Just about everyone I ask will tell me what source material was used and what sort of processing went into mastering. Some mastering engineers like to keep a few specific things proprietary but will generally give me plenty of info. It's really easy to ask if there was compression added or limiting or EQ.
It's not a luxury. Email works wonders. Try it some time. Oh and yeah, I also do like to do listening comparisons. You are right, that is what matters.LOL, Glad you have the luxury of the "inside scoop", few of us can just call up the engineer and ask questions on his production.
In the end they can say a lot, but the proof is in the pudding, with measurements and critical listening being the rest of, and truth of, the story.
I hope your doing them under controlled blind listening conditions. Without that your impressions are without value, just a unsupportable guess.Oh and yeah, I also do like to do listening comparisons. You are right, that is what matters.
Some times I do them blind sometimes not. I listen for pleasure. I'm not doing scientific research. My impressions have all the value they need for my purposes, enjoying music.I hope your doing them under controlled blind listening conditions. Without that your impressions are without value, just a unsupportable guess.
I see, so you have no real interest in the truth.Some times I do them blind sometimes not. I listen for pleasure. I'm not doing scientific research. My impressions have all the value they need for my purposes, enjoying music.
Yeah, as if you have some monopoly on "the truth." Get over yourselfI see, so you have no real interest in the truth.
That's fine, just enjoy yourself, I don't mind.
Now your catching onYeah, as if you have some monopoly on "the truth."
As to the "get over yourself", better take a good look in the mirror. I can't tell you how impressed I've been at your constant expression of your superior intellect here. (NOT).Get over yourself
I'm crushed, you aren't impressed with me. How will I live another day?Now your catching on
As to the "get over yourself", better take a good look in the mirror. I can't tell you how impressed I've been at your constant expression of your superior intellect here. (NOT).