How about instead you read these articles by Dr. Earl Geddes, who has done his PhD in reproduction of sub-frequencies in small rooms, on the use of multiple subwoofers?
I have written before on the absolute necessity of multiple subwoofers for high-fidelity reproduction of modal region frequencies in a hom...
seriousaudioblog.blogspot.com
you will notice that he never applies high-pass filters on his (full-range) speakers to further reduce spatial variation within the room.
Absolutely incorrect. Multiple subwoofers never 'remove' a mode, it only reduces spatial variation / seat to seat variation within that frequency. you will still need EQ to reduce a peak or boost a dip.
You're still not making any effort to comprehend what i'm trying to say, i never said adjustable delay on subwoofers is optional, only on speakers.
I never make any effort in comprehend what I'm saying?
It's quite literally written right there?
I have no idea how to even respond to those things and how those kind of comments have any positive and/or constructive contribution to a discussion?
(and the nice positive vibe/attitude in general)
It feels more like having an argument just for the sake of having an argument at this point, instead of having an healthy critical view on the matter.
Besides, if we are going to talk on this kind of level I also expect a certain level of knowledge as well as having just an open and positive mind on the subject.
"Just" referring to some articles without understanding and having the insight what it means in the bigger of things, is not discussing.
I find it borderline disrespectful to be very honest, with the default idea that everyone here is just a total noob or something?
(and even if so)
Yes, I am extremely familiar with Earl Geddes his work, have read it multiple times when they just came out, and later as well.
Also discussed it with many many people before. Some of them producing one of the best active monitors one can buy atm. (objectively spinorama speaking)
If you checked those other references you will see his work is right there as well.
You don't have to tell me what all those guys do, what their background is and what their findings are, they are VERY well known to me.
I also deeply admire and respect them for all the work and effort they did.
In fact, those are must have standards for any engineer in the field in my opinion.
it only reduces spatial variation / seat to seat variation within that frequency
That is exactly when we are looking for.
Fact is, I am just not exactly agreeing with his approach in general. (and I am not the only one for that matter)
For one, extra loading your full-range speaker with lower frequencies is never a good idea.
Excursion wise (distortion) as well as IMD
Yes, it will give you a little bit better spatial variation, but another subwoofer or two will do the same thing without having those downsides.
With the benefits of being able to get mid-woofers that can just focus on frequencies above 100-300Hz or so.
Which practically also means you can make the cabinet a lot smaller, moving internal standing waves up meaning damping material will work a lot more efficient
As in the given example, this will be a major issue in a 40-50 liter cabinet.
I am also not so sure about the whole idea of not being able to remove a mode.
To give a simplified example, when the listener is very close to the wall and the source is on the opposite wall, the output will be maximum, so a huge peak will occur (at the frequency of the distance between the walls minus some losses and shifting because of end-correction)
When I place another source close by the listener that is the opposite phase of the other previous source, the level at that position will and must be lower.
By definition any wave in space has a polarity relative to another wave.
Which would suggest that a standing wave also a some kind of phase.
If I add two sources in the same plane (2 dimensional) on the opposite site with reversed polarity, the result will be zero.
(and it actually is, just measure it in a plane wave tube)
Which brings us to Geddes his point of not being able to interact with the room modes.
His work is solid on this, I have no doubt about that, but somehow it seems in conflict with some other fundamentals at the same time.
Besides is the practical story from this.
I basically doubt if some people ever played with delays in their room with multiple subwoofers?
I have (in fact, it's part of my job) and there are plenty of cases were a delay most certainly helped with room modes.
No NOT by removing them, but by leveling out the whole response.
Anyway, I am more than happy to discuss that thought, but only if that can be done on a constructive way.
Which can be a nice topic, however totally offtopic to my earlier comment about a multi-sub system and even much more offtopic to Purifi speakers.