Why not? Sound Align perfectly works for any use.
You are either writing nonsense or being ignorant. No further replies are needed. Thank you.Was already explained to you by another user, deviations from neutrality translate to poor mix decisions. Top end boosted? you're gonna mix it too low. Low end not loud enough or full of nulls? You'll end up with too much bass. Basic ass stuff that's been covered endlessly. I'm offering no further replies on this one.
The two ways are not bad at all IMO.Heard the version with the 6 inch drivers in a studio they sounded really good imo
In fairness, sound align is just the onboard DSP EQ. It has a frankly massive range.Not for mixing.
You are either writing nonsense or being ignorant. No further replies are needed. Thank you.
You are. Accusing me of spreading misinformation, then talking nonsense. A bit of respect for the forum members wouldn’t hurt. If you’ve measured a boosted high-end, tame it with the onboard DSP, and you’ll return to a neutral sound. Basic stuff, as you say, which you unfortunately don’t understand.Ah, troll account, got it.
The issue with the boosted top end is that they advertise a flat frequency response... Which it definitely isn't. Almost every single one I've ever used (save for the PMC6, oddly enough!) have a severely up tilted top octave or two, among other things (a generally V-shaped response overall, usually a BBC dip in an attempt to even out the power response around the tweeter cross).You are. Accusing me of spreading misinformation, then talking nonsense. A bit of respect for the forum members wouldn’t hurt. If you’ve measured a boosted high-end, tame it with the onboard DSP, and you’ll return to a neutral sound. Basic stuff, as you say, which you unfortunately don’t understand.
The thing is the advantages only set in with large boxes - and to be sure, they do set in there as they're much less prone to port chuffing at higher SPLs.What you describe as a severe problem is also what sets PMC speakers apart from others. If you don’t need the advantages offered by ATL + Laminar technology or don’t like its effect on the sound, there are plenty of other options to consider. In the end, it depends on factors like local market pricing and available alternatives. In my region, PMCs are fairly priced compared to other options, and I purchased the PMC 6 and am extremely satisfied with it. It would be helpful if you mentioned which other monitors you're comparing it to.
You are. Accusing me of spreading misinformation, then talking nonsense. A bit of respect for the forum members wouldn’t hurt. If you’ve measured a boosted high-end, tame it with the onboard DSP, and you’ll return to a neutral sound. Basic stuff, as you say, which you unfortunately don’t understand.
You mentioned that the 6s are not bad. I’m curious how you would rate them in terms of sound compared to other near-field monitors.The thing is the advantages only set in with large boxes - and to be sure, they do set in there as they're much less prone to port chuffing at higher SPLs.
As far as comparisons to the 6s...
I've owned* or used the following:
- Neumann KH150, KH310*, KH420* (currently own 420s)
- Focal Solo6 Be, Shape 65, Trio6 Be
- Barefoot FP01*, MM27
- ATC SCM25A, SCM150ASL, SCM110ASL, SCM200ASL
- Genelec 8030, 8040, 8050, 8331, 8361
- PMC 6, 6-2, 8-2, MB3A XBD
No.Is PMC result 6 better than genelec 80XX?
Not in my experience.Is it true that they are fast, excellent stereo, better audible compressor, equalizer, reverb tails
If anything there will be a downgrade.That is, there is no point in changing 8040 to PMC result 6? Will there be no qualitative increase in sound and performance ?
You are comparing apples to oranges, these speakers are too different from each other.There are so many topics about genelec monitors. I don't want to repeat myself, maybe there is an answer on the forum somewhere, but I will write here. I think the answer to this question will help many people. I would like to know more about the opinion of sound engineers who work for genelek. Is there any big difference in sound between genelec 8040b and 8340? Do they sound identical if you don't use dsp in 8340? I believe the dsp allows you to calibrate the 83XX line with subwoofers into surround sound systems. But if the dsp is not needed, then sonarworks Id or another program is simply required to calibrate the 8040. Do I understand correctly that it makes no sense to overpay for the capabilities of the SAM version to work with no more than two monitors?... The 8340 amplifiers are more powerful, 0.5 db more accurate and 3 Hertz lower than the 8040, is there a difference in sound for rooms of 16-19 square meters?
They are from the same price range, this cannot be considered as an upgrade.That is, there is no point in changing 8040 to PMC result 6? Will there be no qualitative increase in sound and performance ?