Steakhouse
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No AI Slop please.
No AI Slop please.
Thanks Pedro. Been following this closely. When will Amir/Erin generally post their measurements ? Also, I remember you mentioned before that you are going to be doing your own measurements and comparing these to the likes of AtC. Are you still on track for this?! Also I found this video online where they used an Neumann mic head to hear the tonal differences between the speakers - not sure if it’s just me but 310ii sounds a lot clearer than the rest (but it could be the position of the head and/or the room).
I have a similar problem. This 350 is beautiful and I'd like to upgrade. I'd keep 2 x 750 only at that price...Zastanawiam się, czy powinienem przejść z obecnego systemu 310a/750/ma1 2.2 do 350/870II 2.2.
It's a compromise between the following design elements/acoustical parameters:...I'm wondering why they cross them that high...
I've watched it, and I think this video really deserves its own thread, super interesting wether you own Neumanns or not.It's a compromise between the following design elements/acoustical parameters:
Driver size/driver material
vs crossover slope (how much frequency overlap area will be there)
vs the distortion level at the different frequencies
vs the given drivers ideal performance boundaries (in the frequency domain)
vs intermodulation distortion
vs directivity/waveguide design
etc.
So actually, when trying to find the perfect compromise (let's say in the case of a 3 way system like the KH420 or the KH350) and you calculate the optimal frequency windows based on all the above for all 3 drivers (woofer vs mid; mid vs tweeter) than "at the end actually there is not much you can play with".
If you want more detail on this topic, than check out this Markus Wolff interview (he is Neumann's system designer), I put a time stamp where they talk about crossovers.
But to be honest I think it's well worth watching the full video. It's nearly 2 hours long, as nerdy as it gets, it's very informative. Interesting interview with the driver designer; interview about the cabinet design, all the mechanics/acoustics of the enclosure; presentation on the electronic parts etc. etc. etc. Great stuff for anyone interested about these monitors.
Thanks Pedro. Been following this closely. When will Amir/Erin generally post their measurements ? Also, I remember you mentioned before that you are going to be doing your own measurements and comparing these to the likes of AtC. Are you still on track for this?! Also I found this video online where they used an Neumann mic head to hear the tonal differences between the speakers - not sure if it’s just me but 310ii sounds a lot clearer than the rest (but it could be the position of the head and/or the room).
This is not a Klippel NFS, they had other Klippel measurement devices since many years, remember seeing a Klippel Scanning Vibrometer System when I visited their R&D department many years ago.When did Neumann buy a Klippel? View attachment 558181
He says in the video that it's from KlippelThis is not a Klippel NFS, they had other Klippel measurement devices since many years, remember seeing a Klippel Scanning Vibrometer System when I visited their R&D department many years ago.
Please carefully read my above response. I wrote that they have Klippel devices since many years and I even saw one at my visit there, just that the device you showed in the screenshot is not a Klippel NFS (but probably the same Klippel Scanning Vibrometer System I had seen and linked above).He says in the video that it's from Klippel
I time stamped it for you so just press play
OopsPlease carefully read my above response. I wrote that they have Klippel devices since many years and I even saw one at my visit there, just that the device you showed in the screenshot is not a Klippel NFS (but probably the same Klippel Scanning Vibrometer System I had seen and linked above).
They seem to also have (or at least use) a Klippel NFS. Markus Wolff talks in the video from around 1:20:10 about their anechoic chamber and how they are compensating for it´s lack of precision below 100 Hz. He mentions three things: 1. outdoor ground plane measurements, 2. simulations and 3. "there is a technology from another german company with that you can measure down to very low frequencies under even anechoic conditions" (with the disadvantage of being very slow compared to the anechoic chambers). I guess number 3 is the NFS.Please carefully read my above response. I wrote that they have Klippel devices since many years and I even saw one at my visit there, just that the device you showed in the screenshot is not a Klippel NFS (but probably the same Klippel Scanning Vibrometer System I had seen and linked above).
But to be honest I think it's well worth watching the full video. It's nearly 2 hours long, as nerdy as it gets, it's very informative. Interesting interview with the driver designer; interview about the cabinet design, all the mechanics/acoustics of the enclosure; presentation on the electronic parts etc. etc. etc. Great stuff for anyone interested about these monitors.
Question back to you, what subject would you have liked them to cover? Out of the ordinary I mean.The content was pretty disappointing to me, TBH. They spoke about a lot of things, but nothing out of the ordinary for whoever is familiar with speaker design.
The only two things I've learned that are specific to Neumann are:
First, they design everything in-house: the driver cones, surrounds, and suspensions, as well as the magnet structures. They also handle the integration of the ADC/DAC and the design of the amplifiers. As a side note, they keep calling it a digital amp; I think it might be a translation error rather than them using a Power DAC.
Second, they are very proud that they managed to integrate the whole bass management system and DSP for a surround system in the back of a KH 810 inside the subwoofer cavity. It was extremely challenging from an engineering point of view, from the heat to the vibration to the packaging concerns. They say it saves money for the customer in any of the situations they tested. I don't know about that, I still think having an external box you can ship back easily to the manufacturer in case of failure is the better solution.
Going into the details of the speaker design, for example:Question back to you, what subject would you have liked them to cover? Out of the ordinary I mean.
Bit of a high standard when you consider the context for this. "For whoever is familiar with speaker design" - I guess you could say this to minimize any discussion whose content isn't at the very frontier of its field. For whoever's familiar with the newest mechanic engineering research, any "lower" discussion about cars will be very ordinary.The content was pretty disappointing to me, TBH. They spoke about a lot of things, but nothing out of the ordinary for whoever is familiar with speaker design.
The only two things I've learned that are specific to Neumann are:
First, they design everything in-house: the driver cones, surrounds, and suspensions, as well as the magnet structures. They also handle the integration of the ADC/DAC and the design of the amplifiers. As a side note, they keep calling it a digital amp; I think it might be a translation error rather than them using a Power DAC.
Second, they are very proud that they managed to integrate the whole bass management system and DSP for a surround system in the back of a KH 810 inside the subwoofer cavity. It was extremely challenging from an engineering point of view, from the heat to the vibration to the packaging concerns. They say it saves money for the customer in any of the situations they tested. I don't know about that, I still think having an external box you can ship back easily to the manufacturer in case of failure is the better solution.
He implied they did their best to make it play as low as possible.Was there really no way to play the midrange lower in the KH 350 and have the waveguide play a bigger role in the directivity of the midrange?
For practical reasons. They tuned everything around it differently: cabinet, port, damping, filtering, excursion, and of course dsp. This conventional wisdom doesn't apply to dsp speakers.Or when they spoke about using the same woofer for the KH 310 II and the KH 350, conventional wisdom would say that you need drivers with different T/S parameters for both, yet they claim to use the same driver; what pushed this choice?