2nd order, which is pretty much inaudible unless pathological.The S360 does not turn off the tweeter, but it does increase distortion.
More a problem with transients than with continuous levels. If you need to (relatively) cleanly hit 105dB peaks, that is going to be a problem if your speaker limits to protect itself below that.I wonder if the 8361 engaging limiters is a problem with musical content. In Amir's test, it limits tweeter output above 7500 Hz with a sine wave sweep. With musical content, I think it's more likely that the 8361's limits are reached because the bass driver's limits encountered. The energy content of very high frequencies is often limited.
In general, other than SPLMy own speculation is that the crossover with the woofer in the S360 is at 1400 Hz whereas it's at about 500 Hz in the 8380. Thus a midrange driver is needed on the 8380. And since we have midrange driver, the tweeter only need to go down to 2500 Hz. This allows a dome tweeter to be used instead of a compression driver.
I wonder if the 8361 engaging limiters is a problem with musical content. In Amir's test, it limits tweeter output above 7500 Hz with a sine wave sweep. With musical content, I think it's more likely that the 8361's limits are reached because the bass driver's limits encountered. The energy content of very high frequencies is often limited.
Each radiates differently.In general, other than SPL
Which is better, compression driver or dome tweeter?
More a problem with transients than with continuous levels. If you need to (relatively) cleanly hit 105dB peaks, that is going to be a problem if your speaker limits to protect itself below that.
Neither. They have different use cases.In general, other than SPL
Which is better, compression driver or dome tweeter?
Ultimately, it depends on the program material. Kind of a crappy answer.My question is how likely is it for the total power of the content above 2800 Hz to hit the power of a 106 dB sine sweep for long enough to engage protection? Even if you're playing treble rich transients cresting at 106 dB, maybe at most a third of the sound power is going through the tweeter. The tweeter covers the three top octaves, most likely, even with treble rich transients, it handles less power than 1/3 the power of a 106 dB sine wave at say 5000 Hz.
Nonsense. Was this "somewhere" ChatGPT?I read some somewhere that dome tweeters are smoother than compression drivers but not sure if it's true
Which is better, compression driver or dome tweeter?
ThanksCompression drivers are usually optimized for high SPL, typically for use in non-studio prosound applications. And dome tweeters are usually optimized for home audio or recording studio applications. So, generalizing in very broad terms, I would say that dome tweeters tend to be "better" for home audio. But there are enough exceptions to arguably make that generalization useless, because from a sound quality standpoint there are some excellent compression drivers readily available.
There are inevitable complications that arise with the use of a compression driver, as a waveguide or horn is mandatory rather than optional, along with the typically more complex crossover that calls for. Of course if the dome tweeter is used in a waveguide, the crossover requires at least one additional equalization filter to compensate for the effect of the waveguide on the frequency response.
(For a either kind of tweeter on a constant-directivity horn or waveguide, like what Genelec uses, what happens is this: All of its output is funnelled into the angle set by the waveguide, so instead of the low end of the tweeter's output spreading out across a wide area, it's concentrated into the waveguide's pattern. This concentration boosts the on-axis output at the low end, and this boostage has to be corrected via equalization. The good news of course is that once the on-axis response has been corrected by this equalization the off-axis response has also been corrected, and in the case of a dome tweeter often a bit lower crossover frequency becomes feasible.)
It really comes down to the specifics of the use case, so in practice it's a matter of "which system design is the best for this application", rather than "which tweeter is the best by this or that metric".
VERY cheeky response -Is there going to be a new 8000 MKII series with newer drivers/amps?
Is cheeky a bad thing?VERY cheeky response -
Don't you need to get a set of mk1s first before worrying about mkII possibilities?
I'd just like to get a decent listen to ANY of 'em to be honest. I'm a big-box lad still and still interested, but can never own things like this now except in my dreamsIs cheeky a bad thing?
I meant like Neumann KH120 II that has a new woofer and amps if I'm not mistaken
1237s are calling your name my friend.I'm a big-box lad still and still interested, but can never own things like this now except in my dreams
Go listen to them, seriously.Is there anything better than 8380 at the same price of $20K?
Geithain ? KEF Blade Meta? 8361+subs?
Sony made various positioned front ports of all shapes back in the 90s .A simple curves adjustment doesn't reveal much:
View attachment 476549
Other than Genelec copying Neumann's homework
View attachment 476550
/s
I'd say the blades and the d&d 8c, but with lower SPL and distorsion limits, and not as good at all vertical directivity for the 8cIs there anything better than 8380 at the same price of $20K?
Geithain ? KEF Blade Meta? 8361+subs?
YesIs there anything better than 8380 at the same price of $20K?
Geithain ? KEF Blade Meta? 8361+subs?
My own speculation is that the crossover with the woofer in the S360 is at 1400 Hz whereas it's at about 500 Hz in the 8380. Thus a midrange driver is needed on the 8380. And since we have midrange driver, the tweeter only need to go down to 2500 Hz. This allows a dome tweeter to be used instead of a compression driver.