Texas Instruments’ datasheets are generally very solid and, in my experience, they are based on standardized measurement conditions that are clearly defined, which is exactly what makes them comparable in the first place. Of course, those are typically headline figures under specified THD limits and supply conditions, so they don’t always reflect a complete real-world system including PSU behavior, cabling, and load interaction.
I also did my own measurements for comparison using a practical setup. On the mains side I used a plug-in power meter, followed by an HRPG-600-48 power supply which can be switched via a small control line, and a ZK-3002 amplifier board configured for stereo operation. As a load I used four 50 W, 3.9 Ω resistors. With bass-heavy music content the power meter typically showed peaks around 170 W of input power, and in one case with “T
he Feeling of Bass” by Bassotronics it briefly reached about 190 W. When driving a clean 90 Hz sine wave, the system drew up to approximately 270 W from the wall.
From these observations, my conclusion is that with real musical content the average demand per channel at 4 Ω is significantly lower than the theoretical peak figures suggest, and in practice a well-designed 48 V / 500 W power supply is more than sufficient for this kind of use case. If needed, I can also provide photos of the setup and measurements.