People hi
I mentioned earlier the choice of an op-amp better suited to the circuit, so I am sharing my thoughts based on observations from the PCB images, the circuit schematic that can be inferred from them, and informative tables regarding op-amps.
Here is a fairly clear photo that confirms the input impedance applied to one of the op-amp inputs ->
Here, then, is the schematic that can be derived for this amplifier: it is used in most—if not all—Class D amplifiers employing one or more TPA3255 chips ->
Two things can already be observed:
- The input impedances at the inputs of the op-amp used are not equal.
- The input impedance is quite high (10 kΩ).
Here is a brief explanation from Texas Instruments regarding this matter, to clarify what follows concerning the choice of op-amp to use ->
In the case of this amplifier, it appears that Texas Instruments points us toward a JFET or FET-type op-amp rather than a bipolar one—as clearly demonstrated by their table—while also taking into account the applied input impedance.
Here, then, is a table showing the THD+N achieved based on input impedance and the op-amp model used ->
However, in Hi-Fi, frequency also comes into play, since we are listening to a frequency-modulated signal; therefore, to better determine which op-amp will respond best to this modulation, a higher impedance is deliberately applied to make the distortion stand out more clearly across different frequencies ->
Based on your observations, I will leave it to you to choose the op-amp that seems best suited for this circuit.
Note: This is a purely theoretical demonstration, as no measurements have been performed on the amplifier in question (the BRZHIFI PAD-30)—simply because I do not yet have it in my possession. However, by relying on sound theory and using known, proven models—that is, objective data—there is very little chance of obtaining poor results