Presently42
Active Member
I thought I'd link the new Beatles song, which came out today: it's pretty good!
Agree. However, I've got a feeling that the Beatle tracks prior to Revolver will get the full Peter Jackson treatment, separating out the various instruments and vocals, clarifying sounds and textures. I'm sure that will result in a fair level of controversy.Just heard it on BBC Radio 2. I'd say it was a technical success, but musically, I'm not surprised it was never released at the time. I found it boring, only made interesting by knowing how difficult it was to create.
I won't be surprised, however, if it's one of the most streamed tracks ever.
S
The ultimate final statement was the single "Let it Be" and (more to the point) its B-Side, "You Know My Name (Look Up The Number)". I think that's the way the band really wanted to go out, on a funny/absurd note, deliberately undermining the crazed hero-worship they were trapped in.The Beatles 1) knew how to end an album and 2) knew how to end a career: Abbey Road and The End in particular being their perhaps preciously self-conscious valedictory statements. Damned fine ones they were (are), too.
id est, we don't need no stinkin' new Beatles.
(just my opinion, of course)
Don’t you remember “Free as a Bird” when Anthologies came out? I liked that one better than this one.The Beatles 1) knew how to end an album and 2) knew how to end a career: Abbey Road and The End in particular being their perhaps preciously self-conscious valedictory statements. Damned fine ones they were (are), too.
id est, we don't need no stinkin' new Beatles.
(just my opinion, of course)
That was better. I think the band had more to work with as regards the tape Yoko handed them. George Harrison did not have a high opinion of "Now and Then".Don’t you remember “Free as a Bird” when Anthologies came out? I liked that one better than this one.
Sadly, yes, I remember it.Don’t you remember “Free as a Bird” when Anthologies came out? I liked that one better than this one.
Point taken, but -- yeah, work with me, here.The ultimate final statement was the single "Let it Be" and (more to the point) its B-Side, "You Know My Name (Look Up The Number)". I think that's the way the band really wanted to go out, on a funny/absurd note, deliberately undermining the crazed hero-worship they were trapped in.
Their/his Tomorrow Never Knows presaged a whole genre of music -- in 1966! Yeah* John, at his best, was a force to be reckoned with.I like it. Interestingly, it sounds much more modern than their original music. John had a great gift to create something like this so long ago.
1999:Their/his Tomorrow Never Knows presaged a whole genre of music -- in 1966! Yeah* John, at his best, was a force to be reckoned with.
1966:
1995:
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* Umm, I mean, Yeah, Yeah, Yeah!