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It's not a reason to ditch it. I get far more benefits than I would without it. It's a tool...you just need to know how to use it properly.That is why I walked away from Audessey years ago.
It's not a reason to ditch it. I get far more benefits than I would without it. It's a tool...you just need to know how to use it properly.That is why I walked away from Audessey years ago.
2L uses Genelec in their studio so no wonder it sounds good
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There isn't much in the market for passive "standmount" speakers with high dynamic capability. Arendal is definitely one. In terms of active speakers, the Neumann 310 might work. Sigberg Audio's monitors are designed to play loud and be supported by subs. I am thinking along the same lines.So what standmount speaker can I bring in here to test against my current set that has this "dynamic" capability, to see if it's an upgrade? I've thought about the Arendals and the JBL 708P since they can play loud, though on the latter I worry about the tweeter distortion and potential for hiss.
Weight: 77.2 lbsKH420 is a standmount speaker.
Something like this for 10€ eachWeight: 77.2 lbs
You better have some hefty stands!
You can use kh870 subwoofer it has a mounting point for it.Weight: 77.2 lbs
You better have some hefty stands!
I loveSomething like this for 10€ each
View attachment 152257
source: https://www.aktives-hoeren.de/viewtopic.php?t=5639&start=165
What back panel? What front wall enclosure? Something lost in translation here..I love
Back panel too thin and too small
Away from the front wall Enclosure
Theory without foundation on its decorative support
https://gearspace.com/board/showpost.php?p=13898534&postcount=25
Interesting that there just seems to be the one subwoofer (as opposed to the cardioid bass modules).
This is a mastering setup, not home listening, so they don't use bass management. They want to be able to hear the output of each channel as it exists on the recording to verify correctness. The subwoofer is purely for the LFE channel, nothing else, which is also why it has a little 8320 attached to it to provide full range response as discussed in this video.
Can't watch the video at the moment, but the idea that you'll be hearing each channel accurately when the bass sources are at different places in the room is a fallacy. The physics of room modes don't change because you're creating music. It would be more accurate to perfect one location and just use that.This is a mastering setup, not home listening, so they don't use bass management. They want to be able to hear the output of each channel as it exists on the recording to verify correctness. The subwoofer is purely for the LFE channel, nothing else, which is also why it has a little 8320 attached to it to provide full range response as discussed in this video.
The latency occured by a digital bass management ?Can't watch the video at the moment, but the idea that you'll be hearing each channel accurately when the bass sources are at different places in the room is a fallacy. The physics of room modes don't change because you're creating music. It would be more accurate to perfect one location and just use that.
If you mean the acoustic panels behind the speakers, I agree. Not enough area covered and/or speakers placed too far from the wall for the panels to help much. They seem to be GIK Impression panels or similar.Have you see the picture you had posted. No
Share yes but clever concept, idea...
It's technically a standmount, but the "stands" would be massive blocks or they'd be soffit mounted. KH420s are an excellent soffit option actually.KH420 is a standmount speaker.
Vicoustic.If you mean the acoustic panels behind the speakers, I agree. Not enough area covered and/or speakers placed too far from the wall for the panels to help much. They seem to be GIK Impression panels or similar.
They look gigantic (the monitors)Something like this for 10€ each
View attachment 152257
source: https://www.aktives-hoeren.de/viewtopic.php?t=5639&start=165
PMC ib2s, dynaudio M3XE, JBL M2 (if you consider that passive), ATC SCM150 SL are a few that come to mind, genelec s360 can also have amp rack mounted if you don't want it attached to the enclosure in a traditional "active" senseThere isn't much in the market for passive "standmount" speakers with high dynamic capability. Arendal is definitely one. In terms of active speakers, the Neumann 310 might work. Sigberg Audio's monitors are designed to play loud and be supported by subs. I am thinking along the same lines.
I was interpreting "standmount" to mean something reasonably sized. Certainly there are options, and probably more on the active studio monitor side of things.PMC ib2s, dynaudio M3XE, JBL M2 (if you consider that passive), ATC SCM150 SL are a few that come to mind, genelec s360 can also have amp rack mounted if you don't want it attached to the enclosure in a traditional "active" sense
Can't watch the video at the moment, but the idea that you'll be hearing each channel accurately when the bass sources are at different places in the room is a fallacy. The physics of room modes don't change because you're creating music. It would be more accurate to perfect one location and just use that.