The LS50M has truly silly amounts of distortion below 200hz for anything other than nearfield listening, so quite possibly.Will the extreme low level of distortion make this audibly better than my kh80 or the LS50 meta?
The LS50M has truly silly amounts of distortion below 200hz for anything other than nearfield listening, so quite possibly.Will the extreme low level of distortion make this audibly better than my kh80 or the LS50 meta?
I have until 120hz covered by a pair of subs. So less of an issue except for between 120 and 200hz.The LS50M has truly silly amounts of distortion below 200hz for anything other than nearfield listening, so quite possibly.
For normal home listening levels and not too far listening distances (ideally I would use any compact speaker up to w meters due to the direct sound) its distortion is not silly but rather typical for that size class:The LS50M has truly silly amounts of distortion below 200hz for anything other than nearfield listening, so quite possibly.
Thanks for your reply. Does the Node let you control the digital out via TV remote? I read somewhere that the digital outs are fixed. That would be sad.I ended up with the Node because of the physical controls with presets and the availability of eARC. For cables, you can use coaxial cables between each device (Node to sub, sub to speaker 1, speaker 1 to speaker 2). The sub uses BNC connectors, while the Node & speakers use RCA connectors. Standard RCA cables are fine with BNC to RCA adapters. I used the Laird cables in my post above with RCA to BNC connectors, Blue Jeans makes similar cables.
There are lots of similar options on Amazon.
I’m not currently using the HDMI ARC, but the digital output is variable. The Node is serving as a digital volume control between my computer and the speakers (optical from computer to Node and coaxial from Node to speakers).Thanks for your reply. Does the Node let you control the digital out via TV remote? I read somewhere that the digital outs are fixed. That would be sad.
You mean: To other mix engineers who don't want to be reminded of their work every time they listen to music for fun?As a 25+ year Mix Engineer I’ll chime in.
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But in a non-critical listening environment, I recommend something maybe less… perfect.
Not exactly. It’s more like the difference between two very precise lenses, but one of them produces a more pleasing bokeh. Everything in focus is identically detailed and sharp between lenses, but one produces a background bokeh that exactly reflects the shape of the shudder, while the other smoothes it in a pleasing manner.You mean: To other mix engineers who don't want to be reminded of their work every time they listen to music for fun?
Maybe it is like a professional photographer who uses a retro compact camera for his own holiday pictures instead of his objectively much better pro camera? That doesn't mean it is a good recommendation to hobbyists.
I'm pretty sure you didn't have the KH120ii but the previous model KH120I had these monitors for a number of years and relied on them heavily (with a Focal sub).
I had KH120 i my office - but could not listen to online radio with it's low bitrates. I always switched of after 30-45min, it was annoying. With KEF LS50 it was no problem (and higher bitrate streaming services also help nowadays ;-)). I also built a more forgiving speaker for my home cinema.If you want to hear EVERY detail at a reasonable price in a treated room in a proper listening position, these are really hard to beat. They are on par or maybe even better than the Genelec 8030C.
But in a non-critical listening environment, I recommend something maybe less… perfect.
I'm pretty sure you didn't have the KH120ii but the previous model KH120
I have both and compared - the KH120ii is more relaxed for long term listening. Midrange is better and sound stage is VERY good - you should give it a try!
I had KH120 i my office - but could not listen to online radio with it's low bitrates. I always switched of after 30-45min, it was annoying. With KEF LS50 it was no problem …
What do you use instead now?
That's not a matter of belive - they changed everything but the tweeter. Look for some tests and internal pics.You are correct that it was the original KH 120. I don’t believe the second version changed acoustically with the box design, but added network connectivity to adjust DSP.
Good to know! I’m not surprised. I’ve used their U87 probably two dozen times, and I’ve used the U67 a couple times. I own a couple TLM mics as well.That's not a matter of belive - they changed everything but the tweeter. Look for some tests and internal pics.
They didn't had DSP in the old one ... it's the same electronics from the KH150 now.
The KH120 II has a new and improved woofer and different amps, so not the sameSorry if already answered somewhere, but how does the original KH120 stack up, and do we have measurements for both please?
Only if I was to buy these instead of the KH150's, I'm thinking I could buy the non DSP if I'm going to run KH750's anyway. Don't see the point in £250 extra if there's literally nothing else improved or added besides DSP.
Measurements are here in the forum somewhere. With KH750 you can also get the KH120 (if they are still being sold) imho.Sorry if already answered somewhere, but how does the original KH120 stack up, and do we have measurements for both please?
Only if I was to buy these instead of the KH150's, I'm thinking I could buy the non DSP if I'm going to run KH750's anyway. Don't see the point in £250 extra if there's literally nothing else improved or added besides DSP.
Ah. You were quicker. Thx.We have this.
Thankyou. Yeah, second gen is definitely more flat. Was just curious more than anything, trying to find cheapest way, and also outer limits of budget for when the time comes, see what's what. I'd love to stretch to Genelec 8341's, but I doubt that being a possibility. Shall see, already started off loading a load of my current stuff, so getting there.We have this.