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It is showing the max SPL possible with 3% THD allowance above 250 Hz, and 10% below.Sorry I don't know what this graph is saying.
It is showing the max SPL possible with 3% THD allowance above 250 Hz, and 10% below.Sorry I don't know what this graph is saying.
Both curves are max SPL for a given THD for a sine burst. Blue/dark is for THD of 3% and red is for THD of 10% below 250 Hz.Sorry I don't know what this graph is saying. The dark line is SPL and the red line is THD below 250hz? If that's so, it seems consistent aside from the greater spike at 70hz. If the red line is supposed to be max SPL, no idea then.
Both curves are max SPL for a given THD for a sine burst. Blue/dark is for THD of 3% and red is for THD of 10% below 250 Hz.
Thanks. I am in a bit of a pickle in that I am running my sweeps at 106 dB, and the others are at 90 dB. I could lie to the system and make it think it is at 90 dB. Soundstage does this I think. What say you?Sounds fine to me thanks but allow me scream for vertical scale in spinorama graphs where ANSI/CTA-2034-A document calls for a 50dB number, ASR review for JBL 305P MKii was very close to that 50dB number but from then on it ran wider, think 50dB acoustic scales as a standard is good to press design industri of transducers and speaker systems because stuff can really get bad looking therecompared to 100dB or wider as seen from time to time.
No, I keep them the same on both speakers (no compensation). Since there is no standardization, trying to compare them with compensation settings makes comparisons different. And would not match how the measurements are performed.@amirm, when you listen at your desk, do you utilize the speakers' boundary adjustments? If so, are the settings determined by ear, measurement or manufacturer recommendation?
@amirm can keep the speaker for longer if he wants to do more listening comparisons.Maybe you got used to the sound of the JBL, after comparing them with everything else? I think we need measurements to overcome our biases, and this is a perfect example of you maybe being unconsciously biased towards the sound you are already familiar with.
It happens to me all the time that after a long listening session with my headphones, my speakers sound "off", and vice versa when I listen to headphones after a long time with my speakers. The brain needs to adjust.
Anyway, I would like to see how Genelec compares here.
I personally am looking at loudspeaker measurements from publications all over the world and you are the first one I see who uses it (which honours you) as its a big investment, as you say Harman uses it, but I haven't seen specific measurements of theirs which I can compare directly to other methods and institutes.The system is not "newly released." It was introduced back in 2015 or nearly five years ago. It is specifically designed to correct for errors in anechoic chambers. It is used by who is who in the industry already. Here are published results from Harman using this system:
I find it significant, especially after a similar problem with the Kali.Anyway, the difference is tiny and not material.
I don't expect you of course to run to Klippel, but if I were you I would talk about them about it.If you don't trust it, that is cool. If you are asking me to run to Klippel, I won't do so since there is nothing actionable here.
Flat speakers exist, its not difficult at all to tune a DSP speaker like the KH80 as flat as it is, Neumann even did so on their previous non-DSP monitors. A good engineer should always have doubt also in his personal work when it differs to others, a very expensive rig isn't a 100% guarantee for anything. Please don't get me wrong, I will be happy if I am proven wrong, but personally I would try to investigate out the reasons of those discrepancies to be 100% sure. If you don't want to do so and trust your measurements 100% that is ok for you, but you must also than bear that others may have a different viewpoint.I think you are abandoning caution in believing speaker measurements as flat as what you have reported. Such an animal does not exist and requires huge justification for any measurement that shows it such. Put your doubt there, not in my measurements.
I can't get a microphone into such a small area. The reference I used was the center of the tweeter, plus or minus a few millimeters.One question: What was your refernece axis? Neumann says it's the point where the waveguide and tweeter meet. That (very small!) dip at 2K looks like the response at the tweeter axis from my recollection.
It's just gain.I wonder if using SPL the switch on the rear would have allowed more bass at the expense of some distortion.
It's the halfway point between the centres of the drivers (see manual p. 6): 12.9 cm from the bottom and 7.7 cm from the sides.One question: What was your refernece axis? Neumann says it's the point where the waveguide and tweeter meet. That (very small!) dip at 2K looks like the response at the tweeter axis from my recollection.
I can't get a microphone into such a small area. The reference I used was the center of the tweeter, plus or minus a few millimeters.
Manual says: "The acoustical axis of the KH 80 DSP is located at the midpoint of the bass and tweeter drivers."
That´s not where waveguide and tweeter meet, it´s where waveguide and woofer meet! It´s on line with the Neumann-logo.
Understood. And totally reasonable.No, I keep them the same on both speakers (no compensation). Since there is no standardization, trying to compare them with compensation settings makes comparisons different. And would not match how the measurements are performed.
While it may be worthwhile, keep in mind their own vertical polar plots show constrained directivity at the same region.Thanks @amirm ! Was looking forward to seeing this speaker tested. Measurements match all the other ones out there minus a bit of a dip in the bass, which I suspect is related to the SPL level.
One question: What was your refernece axis? Neumann says it's the point where the waveguide andtweeterwoofer meet (Edit: technically, 12.9cm from the bottom of the speaker). That (very small!) dip at 2K looks like the response at the tweeter axis from my recollection.
Personally I think 90 dB @1m is loud for this particular speaker's intended usage, and I'm not sure if powered speakers meant for nearfield use should be using the same standard as regular loudspeakers - or at least it's a good idea to measure at different SPL levels to see when compression kicks in. But it's not crazy loud either, just surprised to see that (again, small! - just being picky) dip there since I haven't seen it in the two anechoic measurements I've seen (nor my own quasi-anechoic ones, for whatever that's worth).
I wonder if using SPL the switch on the rear would have allowed more bass at the expense of some distortion. Here's neumann's own graph on SPL limits (Blue 3 percent THD, Green 1 percent) :
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More surprising to me is the fact that you preferred the 305P, especially the fact that you thought it sounded bigger despite having narrower directivity than the KH80. There's a lot of little things to hearing and I definitely don't think it's impossible - I just haven't seen any compelling evidence yet that bigger speakers actually sound "bigger." Could just be the small difference in bass though.
Anyway, a great speaker and thank you again, I'm just being nitpicky since as far as I know, this is supposed to be the flattest speaker on the market.
Thanks. I am in a bit of a pickle in that I am running my sweeps at 106 dB, and the others are at 90 dB. I could lie to the system and make it think it is at 90 dB. Soundstage does this I think. What say you?