Hello everyone, this is my first thread here!
I’m currently looking for studio monitors primarily for production and mixing, especially electronic music (techno, experimental, etc.). I’d love to hear your suggestions based on your experience. DSP is a big plus as I work in the living room.
Note: I should really trust the speakers to produce/mix without guessing and overthinking.
Here’s what I’m considering so far:
In local shops, I can only listen to the KH 120 II or Adam A7V, but the shop room acoustics are terrible to judge.
Any recommendations or advice on what to look for?
Thanks in advance!
I’m currently looking for studio monitors primarily for production and mixing, especially electronic music (techno, experimental, etc.). I’d love to hear your suggestions based on your experience. DSP is a big plus as I work in the living room.
Note: I should really trust the speakers to produce/mix without guessing and overthinking.
Here’s what I’m considering so far:
Neumann KH 120 II
I simply trust this brand and this speaker model. I’ve seen measurements and like what I see. The front port is also a plus, as I am quite close to the wall. I’m a little bit worried that the 5.25" woofer might be too small for low-end focus, but I’m also considering adding a sub in the future if I stick with them.iLoud Precision 6
I currently own a pair of their smaller speakers and I am satisfied with them. I like the fact that they already come with a measuring mic, and the 1.5" tweeter seems interesting. The lack of a waveguide is weird, but it probably has something to do with the tweeter’s dispersion. However, I don’t trust paid YouTube reviews, and there are no measurements available except for those on the iLoud product landing page.Eve Audio SC207
Much more affordable and with pretty much the same specs as the others. It doesn’t have DSP, but I can use Sonarworks to fix the acoustics. It has been on the market for a long time and has many good reviews.What I’m NOT Considering:
- Focal Alpha EVOs: The inverted dome tweeter scares me, and there are several reports of harshness in the lower treble. This is critical for me as I produce distorted, industrial music.
- Adam A7V: Poorly designed port and concerns that their tweeter doesn’t translate well to other systems. Also, worse low-end production due to the cabinet size compared to the others.
In local shops, I can only listen to the KH 120 II or Adam A7V, but the shop room acoustics are terrible to judge.
Any recommendations or advice on what to look for?
Thanks in advance!