PaperBoat
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PCM because it sounds the same as DSD (a solution to a problem nobody has anymore) and is more flexible / compatible.
Regarding the linked post from 5 years ago: If there's an audible problem with the filters in your DAC, your DAC is garbage. If they're saying that most DACs have audible flaws in their filters, well... digital filters are very easy to ABX in Foobar, so let's see it?
What jumped out at me reading the article was the PCM response rolled off some in lower frequencies vs DSD in the same Tascam machine. And sure enough, they found no discernment of sources that were high frequencies only, like the triangle. Seems pretty obvious, and the authors mentioned it in the paper that it is quite possible that low frequency difference is what they heard. This needs to be replicated with a unit that has the same response in PCM as DSD. Certainly plenty of ADC's are flat right down into lower frequencies. Why the Tascam is not is a bit of a good question. I wonder if any of the tests they didn't use from the other two interfaces showed anything at all?
Flawed test.
I don't think a forced choice makes it flawed. That is a common and well known method. More common in the food tasting industry. They use it just the way this test did. For instance, sample A and B pick the one which is more salty? Or more crunchy or which has the preferred mouth feel? You have to choose one, you aren't allowed to choose no difference. Read up on 2AFC testing. Two alternative forced choice.Flawed test.
Forced AB choice for certain attributes. The data is effectively useless.
It doesn't make sense when you have PCM vs. DSD and are asking questions about spaciousness, timbre, etc. with limited signal measurements...I don't think a forced choice makes it flawed. That is a common and well known method. More common in the food tasting industry. They use it just the way this test did. For instance, sample A and B pick the one which is more salty? Or more crunchy or which has the preferred mouth feel? You have to choose one, you aren't allowed to chose no difference.
Why not? You are testing if those perceptions are different and trying to determine if the difference is reliably different between them.It doesn't make sense when you have PCM vs. DSD and are asking questions about spaciousness, timbre, etc. with limited signal measurements...
Why not? You are testing if those perceptions are different and trying to determine if the difference is reliably different between them.
Read these example of various test procedures. The description of the 2AFC is following precisely this method used in the paper.
In this paper I think the low end roll off of the PCM is what is being heard. You could test that if you could EQ the DSD to have that same response and repeat the test with EQ'd DSD vs straight DSD.
I'm familiar with forced choice procedures.Why not? You are testing if those perceptions are different and trying to determine if the difference is reliably different between them.
Read these example of various test procedures. The description of the 2AFC is following precisely this method used in the paper.
In this paper I think the low end roll off of the PCM is what is being heard. You could test that if you could EQ the DSD to have that same response and repeat the test with EQ'd DSD vs straight DSD.
This is much more interesting than most evidence put forth for audible differences between formats. However, I'm a bit troubled by the lack of controls (they didn't compare the same format to itself to make sure the test setup was working properly) and although the recordings OUGHT to be equivalent due to the setup they described, they didn't actually confirm that anywhere in the paper. They level matched at 1khz but why not compare the spectra of the recordings anyway?
As many of us know how recording houses are doing the dirty job... After capturing the signal in analogue or DSD they mixing it in PCM then master in DSD! I know that there are limited options for mixing in DSD native. But I'm curious to know what is the logic behind it? How a DSD content could be called as "DSD" after loosing its veracity?It's also rare to see a recording made in this fashion (recorded straight to DSD with no digital processing) so it's not really applicable to home listening. If these results were replicated (big "if", maybe) then it might be worth considering at the industry / recording studio level. Until then it's neither here nor there for the home listener, who has low-to-no access to pure DSD recordings either way.
Just an opinion. Not backed up by real technical facts in this statement.
Is there a reason you are so interested in upsampling to DSD? You raised 2 very similar threads on this in the space of a couple of days. Even if there is any discernible difference, do you really think it is going to be of the order that it actually makes a meaningful difference to your day to day listening?
This helps me a lot... ↓
I'm just interested in learning... Nothing else.Is there a reason you are so interested in upsampling to DSD? You raised 2 very similar threads on this in the space of a couple of days. Even if there is any discernible difference, do you really think it is going to be of the order that it actually makes a meaningful difference to your day to day listening?